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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Your Missal Obey Pope Paul VI?

Jeff Ostrowski · June 13, 2013

ERE IS A QUOTE you might enjoy. It comes from Very Rev. Edward Eugene Malone, O.S.B., who (among other things) was a seminary professor at St. John Vianney Seminary in Nebraska. By the way, does anyone know if that seminary still exists? If so, let us know in the combox.

Writing in 1962, Fr. Malone says:

In many missals offered for the use of the layman, the tendency has been in recent years to eliminate the Latin texts altogether. This was probably not the wisest policy. Whatever concessions may be made to the laity in the future in the use of the vernacular in the Mass, the text of the Mass said by the Priest will most certainly remain in Latin. The new missal makes a desirable compromise by presenting the principal parts of the Mass in both Latin and English. In a world in which Catholics travel from one continent to another in a matter of hours, the Latin of the Mass gives them a sense of being at home at least in church, wherever they may be. Moreover, whatever other changes in the Mass may be forthcoming, the sung Mass is still apt to be in Latin. No suitable melodies have been yet fashioned to fit the vernacular text of the Mass. Gregorian Chant is apt to remain the singing voice of the Church for a good many years to come.

At the end of this blog entry, I’ve included a link to the entire piece, which is worth reading. As our readers know, the Campion Missal contains both English and Latin, and we will soon be releasing a second edition (which we’re very excited about), but that’s not what I wish to mention at this time.

HAT I FIND INTERESTING, (as you may have already guessed) is that Fr. Malone assumes Latin and Gregorian chant will always be part of the Roman Rite. That is what the Second Vatican Council called for, but, as we all know, it did not happen. One easy way to find out if a priest is truly committed to the teachings of the Second Vatican Council is to observe whether his parish Masses give Gregorian chant “first place” (Sacrosanctum Concilium, §116), employ Latin (Sacrosanctum Concilium, §36), and hold the pipe organ in high esteem (Sacrosanctum Concilium, §120).

Here is something you might not realize. Pope Paul VI specifically ordered that all Catholics “faithfully observe” the following mandate, beginning 7 March 1965:

“Missals to be used in the liturgy shall contain besides the vernacular version the Latin text as well.”

Perhaps I should place that mandate in bold letters:

“Missals to be used in the liturgy shall contain besides the vernacular version the Latin text as well.”

His Holiness Pope Paul VI gave this mandate specific approval and confirmed it by his authority, ordering that it should be published and faithfully observed by all concerned, beginning on 7 March 1965. Sadly, it has not been followed. Just the other day, I attended a wedding wherein the priest was trying to use a lot of Latin. He was forced to have two (2) Missals on the Altar at all times, and it was a mess. That’s really sad. The publishers ought to have listened to Pope Paul VI.

Finally, here’s the article I mentioned at the beginning of this blog post:

      * *  Review of The Layman’s Missal by Very Rev. Malone, OSB [pdf]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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