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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Story Behind The Code

Guest Author · June 10, 2013

The following is a guest article by Benjamin Bloomfield.

COUPLE OF MONTHS AGO, when my brother found out that I had written a tool for applying psalm tones to arbitrary Latin texts, he suggested to me that I write a similar tool to work with the traditional Latin Mass propers, so that anyone could easily sing psalm-toned propers if (and only if*) they didn’t have sufficient time to practice the proper propers.

I remember thinking at the time that it was very easy for my brother to suggest such a tool, but it would be quite a bit of work for me to actually write it. For about a month, I would occasionally think about how I might be able to get the texts for the propers for every Sunday of the year from divinumofficium.com and then look up all the proper chants based on the beginnings of the texts at gregobase.selapa.net. Eventually I did try my hand at it, and what I have come up with is at a point where it is good enough to share with the public.

In its current form, you can select a Sunday (or several other feasts, of which there are still a few that I need to add; you can also select the wedding or funeral propers) and it will populate fields for Introit, Gradual, Alleluia, etc. Then you can select whether to use the full tone or a psalm tone for each proper. You can get a PDF of everything by clicking the link in the upper right.

You can click on the titles (Introitus, Graduale, etc.) to go to that chant’s page at gregobase.selapa.net and see the chant next to images of it scanned from the Liber Usualis or Graduale Romanum so that you can proofread it and make sure there are no mistakes in the newly typeset version. I have already noticed and corrected several mistakes in both text and melody, so this is certainly a good idea.

Also, I should make it clear that thanks are due to Andrew Hinkley for having transcribed all of these chants, and to Olivier Berten for setting up and maintaining them all at gregobase.selapa.net where they can be proofread. Without their work, I never would have been able to write this.

* As it says in the liber brevior in the section with psalm-toned graduals and alleluias:

These abridged chants are intended exclusively for churches where it is not possible to properly execute all the melodies of the Roman Gradual and for which a simple melody of the Sacred Texts is tolerated (S. C. R. N° 3697). Where there are Choirs sufficiently trained, the official Chant of the Gradual must be kept.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

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