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Views from the Choir Loft

The Story Behind The Code

Guest Author · June 10, 2013

The following is a guest article by Benjamin Bloomfield.

COUPLE OF MONTHS AGO, when my brother found out that I had written a tool for applying psalm tones to arbitrary Latin texts, he suggested to me that I write a similar tool to work with the traditional Latin Mass propers, so that anyone could easily sing psalm-toned propers if (and only if*) they didn’t have sufficient time to practice the proper propers.

I remember thinking at the time that it was very easy for my brother to suggest such a tool, but it would be quite a bit of work for me to actually write it. For about a month, I would occasionally think about how I might be able to get the texts for the propers for every Sunday of the year from divinumofficium.com and then look up all the proper chants based on the beginnings of the texts at gregobase.selapa.net. Eventually I did try my hand at it, and what I have come up with is at a point where it is good enough to share with the public.

In its current form, you can select a Sunday (or several other feasts, of which there are still a few that I need to add; you can also select the wedding or funeral propers) and it will populate fields for Introit, Gradual, Alleluia, etc. Then you can select whether to use the full tone or a psalm tone for each proper. You can get a PDF of everything by clicking the link in the upper right.

You can click on the titles (Introitus, Graduale, etc.) to go to that chant’s page at gregobase.selapa.net and see the chant next to images of it scanned from the Liber Usualis or Graduale Romanum so that you can proofread it and make sure there are no mistakes in the newly typeset version. I have already noticed and corrected several mistakes in both text and melody, so this is certainly a good idea.

Also, I should make it clear that thanks are due to Andrew Hinkley for having transcribed all of these chants, and to Olivier Berten for setting up and maintaining them all at gregobase.selapa.net where they can be proofread. Without their work, I never would have been able to write this.

* As it says in the liber brevior in the section with psalm-toned graduals and alleluias:

These abridged chants are intended exclusively for churches where it is not possible to properly execute all the melodies of the Roman Gradual and for which a simple melody of the Sacred Texts is tolerated (S. C. R. N° 3697). Where there are Choirs sufficiently trained, the official Chant of the Gradual must be kept.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • Luis Martínez Must Go!
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  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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