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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Story Behind The Code

Guest Author · June 10, 2013

The following is a guest article by Benjamin Bloomfield.

COUPLE OF MONTHS AGO, when my brother found out that I had written a tool for applying psalm tones to arbitrary Latin texts, he suggested to me that I write a similar tool to work with the traditional Latin Mass propers, so that anyone could easily sing psalm-toned propers if (and only if*) they didn’t have sufficient time to practice the proper propers.

I remember thinking at the time that it was very easy for my brother to suggest such a tool, but it would be quite a bit of work for me to actually write it. For about a month, I would occasionally think about how I might be able to get the texts for the propers for every Sunday of the year from divinumofficium.com and then look up all the proper chants based on the beginnings of the texts at gregobase.selapa.net. Eventually I did try my hand at it, and what I have come up with is at a point where it is good enough to share with the public.

In its current form, you can select a Sunday (or several other feasts, of which there are still a few that I need to add; you can also select the wedding or funeral propers) and it will populate fields for Introit, Gradual, Alleluia, etc. Then you can select whether to use the full tone or a psalm tone for each proper. You can get a PDF of everything by clicking the link in the upper right.

You can click on the titles (Introitus, Graduale, etc.) to go to that chant’s page at gregobase.selapa.net and see the chant next to images of it scanned from the Liber Usualis or Graduale Romanum so that you can proofread it and make sure there are no mistakes in the newly typeset version. I have already noticed and corrected several mistakes in both text and melody, so this is certainly a good idea.

Also, I should make it clear that thanks are due to Andrew Hinkley for having transcribed all of these chants, and to Olivier Berten for setting up and maintaining them all at gregobase.selapa.net where they can be proofread. Without their work, I never would have been able to write this.

* As it says in the liber brevior in the section with psalm-toned graduals and alleluias:

These abridged chants are intended exclusively for churches where it is not possible to properly execute all the melodies of the Roman Gradual and for which a simple melody of the Sacred Texts is tolerated (S. C. R. N° 3697). Where there are Choirs sufficiently trained, the official Chant of the Gradual must be kept.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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  • Using “Ye” Vs. “You” Correctly
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