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Views from the Choir Loft

GABC Transcription Tools

Veronica Brandt · June 8, 2013


AST WEEK I wrote about gregorio and GABC. There are so many developments happening that I’m sure I will be writing more about the system.

This week Benjamin Bloomfield released a new Propers Tool for his collection of GABC transcription tools.

That makes four tools:
Hymns
Psalm tones
Readings
and new this week: Propers!

Not so long ago, I would transcribe by hand from the Propers of the Church year set to tones (1962 Missal) from Guam (it’s a great book, but quite hard to read). Then, once I found the transcriber, I would get the text of the propers from Maternal Heart and cut and paste the text into the Psalm tone tool, select a mode and repeat for each antiphon. Now the new Propers Tool makes it as easy as choosing the Sunday from a drop down list. You can even select which ones to render with the full melody from the Graduale. The psalm toned Alleluia is rendered as in the simplified Alleluias in the back of the Liber Brevior, with the full jubilus and psalm toned verse.

Clicking the PDF link in the top right corner takes you over to Illuminare Publications Score Editor (also written by Mr. Bloomfield) with all five pieces ready to process into a single PDF.

One drawback is that there is no space for a translation, but there are a few ways you could add it in. There is a capability to insert text under the lyrics by enclosing the text in square brackets and inserting it between the syllable and the neume code.

Something like this: A[Humbly I adore thee](c)do(e)ro(g) te(g)
(Yes, that’s probably confusing, but may be helpful to some, otherwise there’s the comments box down there)

As is often the case with cutting edge software, the documentation is lagging behind a little, but there is good news there too. Gregowiki promises to be a treasure trove of helpful information. Already it has links to the tools I’ve already mentioned as well as tutorials and a handy cheat sheet.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant Software, Gregorio Last Updated: May 14, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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