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Views from the Choir Loft

An FYI on EP in the OF – Part 2

Andrew R. Motyka · June 5, 2013

For Part 1 of this series, please click HERE.

WO WEEKS AGO (I’ve been lazy), we covered the first part of Evening Prayer, specifically, the Hymn and Psalmody. This contains the real “meat” of the liturgy, since the Liturgy of the Hours centers around the proclamation of the Psalms. This week, we will take a look at the reading and Responsory.

Immediately following the psalms is the reading. The reading is prescribed for each specific day of the cycle, or for the given feast on the calendar. It is permissible to use a different reading, usually from the Mass of the day, as a substitution, but in my opinion you should stick with the prescribed reading for the day. The cycle is there for a reason.

If a priest or a deacon is leading Evening Prayer, he may give a homily at this time, but it is optional. Following the reading (or homily), the Responsory is sung. The Responsory is an odd moment in the Ordinary Form because it is quite short. For this reason, singing it is one of the only ways to make it non-trivial. It is best to sing this with a cantor, and the form of the Responsory follows:

Responsory (Phrases A and B) – cantor

Responsory (Phrases A and B) – all

Versicle (a short verse) – cantor

Responsory (Phrase B only) – all

Doxology (only the first part, up to “Holy Spirit”) – cantor

Reponsory (Phrases A and B) – all

It is best to simply see this, in full text, for an example. Following my previous examples, let us look at the text of the Responsory for May 31, the Feast of the Visitation:

Hail Mary, full of grace, —the Lord is with you.
Hail Mary, full of grace, —the Lord is with you.
Blessed are you among women, and blessed is the fruit of your womb.
—the Lord is with you.
Glory to the Father, and to the Son, and to the Holy Spirit,
—Hail Mary, full of grace, the Lord is with you.

This form lends itself well to very simple musical adaptations. Here is an example of the above text:

DOWNLOAD a sample responsory.

Next week, we will wrap up our examination of Evening Prayer and its defining canticle, the Magnificat.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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