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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Is Alive And Strong!

Jeff Ostrowski · May 23, 2013

AY 18, 2013, was a powerful day of Grace. My brother, Mark, was ordained to the Transitional Diaconate by the Most Reverend Archbishop Joseph F. Naumann.

The image you see toward the upper right was taken the night before, while the seminarians were practicing. After that, we all took part in a beautiful Sung Vespers and Holy Hour.

The music for the Ordination was sensational. Lucas Tappan has created an unbelievable “school of singing.” He currently directs forty (40) children and a whole bunch of adults. Their “sound” was so beautiful. I was not expecting to hear such a beautiful “sound.” Musicians will understand what I mean when I refer to the “sound” of the voices: lovely, unforced (as Fr. Finn would say!), and trained well. By the way, they used a Chabanel Psalm I composed, and it sounded amazing the way they sang it. They had all the high voices sing every other verse, and the low voices sang the alternate verses. All present joined each Refrain. Lucas is to be commended for his fine work.

Archbishop Naumann gave the finest sermon on priestly celibacy I ever heard. You can read it here:

      * *  Sermon on Celibacy by Archbishop Naumann

A few excerpts:

Of all the of these ordination promises, celibacy is perhaps the most counter-cultural.

In its first chapters, the scriptures speak to us the truth that human beings are not meant to be alone. We are built to be in communion with others. The relationship of marriage has a special place of importance above all other human friendships and bonds. The Bible tells us for this reason a man and woman leave father and mother in order to become one in flesh and spirit. According to the scriptures, the love of husband and wife most closely approximates the love of God for His people. Even heaven itself is described as a wedding banquet.

The Church asks those who will lead and shepherd her communities of Faith to give up the possibility of marital love as a prophetic witness that there is something even more important to our happiness than even beautiful intimacy possible in Christian marriage. More essential to our joy as human beings – no matter if we are married or single or a religious sister or priest – is intimacy with God.

In a world that mixes up physical sexual intimacy with love, this bold witness of celibacy is crucial. In a world where many are confused about something as fundamental as the nature of marriage, where many no longer are able to distinguish between pornography and beauty, where the lie of the sexual revolution – that physical sex is essential for happiness – continues to dominate our music and movies, prophetic celibate love is desperately needed.

Our culture continues to cling to the deception that sexual pleasure is the key to happiness, even though we are surrounded by the collateral damage of the sexual revolution – more that 50 million children aborted, epidemics of depression and physical disease, high divorce rates, and children deprived of the love of a father and a mother.

But the most astonishing thing was to hear my brother preach on Sunday. He did an incredible job.

May Jesus Christ be praised. In spite of all the evil in the world, He still takes care of His Church. The Church is strong. The Church is vibrant. Jesus Christ still offers His Grace to those willing to accept it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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