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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing the Lalemant Propers (391 Pages) — Free Download !

Jeff Ostrowski · April 23, 2013

OCUMENTS FROM the Second Vatican Council encourage Catholics to “sing the Mass” rather than replacing the Mass with non-liturgical texts. This practice is an outgrowth of a maxim attributed to Pope St. Pius X: “Don’t pray at Mass, pray the Mass.” However, those attempting to introduce the Mass Propers at their parishes realize absolute consistency is necessary. Therefore, what happens when a cantor gets sick or there is not adequate time for the choir to learn a chant from the Graduale Romanum or Simple English Propers? Or what about circumstances where a choir is not present, such as a 7:00am Sunday Mass, or (perhaps) a special Holy Day? What about the summer months, when some choirs do not meet? If the Propers are simply omitted, this causes considerable confusion for the congregation, which was previously told that each Mass has special Propers which ought to be sung. We know very well that the Liturgy is complex and must not constantly switch back and forth with changing texts, practices, and musical choices. Constant changes are quite disruptive to Liturgical prayer.

In an effort to make sure that the Mass Propers can always be sung at every Mass no matter what, I have created a 391-page book containing very simple musical arrangements of the Graduale in English:

      * *  Lalemant Propers Website (Graduale Romanum in English)

Visiting this website, one can freely download the entire 391-page book. One can also purchase a beautifully-bound hard copy.

      * *  Click here to download the 391-page book

      * *  Click here to purchase the 391-page book

      * *  Click here for Preface & Table of Contents

Below is a video example of a setting from the Lalemant Propers. This random selection is from Holy Saturday, so one can see this new collection contains much more than just antiphons (for instance, the Good Friday Reproaches, forty-five complete Psalms, Sequences, etc.).

HE COLLECTION is named in honor of St. Gabriel Lalemant, one of the bravest men ever to set foot in the New World. St. Lalemant worked alongside St. Isaac Jogues and the other Jesuit Martyrs of North America. Most of the Corpus Christi Watershed projects are dedicated to these Martyrs, as well as their colleagues who have not yet been canonized. For instance, if you visit the St. Charles Garnier Website, you will notice many Gospel Acclamations named in honor of French Jesuits. By pressing the «View Previous 2 Months» button, you will see names like Fr. François Bressani, William Couture, Fr. Simon Le Moyne, Fr. Paul Ragueneau, Fr. Pierre Chaumonot, Fr. Joseph Le Caron, Fr. Claude Dablon, Fr. Pierre Chastellain, Fr. Jérôme Lalemant, and Fr. Barthélemy Vimont.

I feel strongly called by God to help make the Jesuit Martyrs of North America better known. The first musical CD I ever produced (2001) was dedicated to them, and through the years we have done what we can. However, there is still so much more that needs to be accomplished to make their stories better known. Of course, it is not always possible to do as much as one would like, as the primary object of our organization must be to survive and continue providing resources for the Liturgy. However, I will continue to pray that the Lord will grant this request: that through the years, Corpus Christi Watershed can be a vehicle to let every person in North America know and honor the holy Jesuit Martyrs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

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