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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacred Choral Program (Living Water College)

Guest Author · March 29, 2013

The following is a guest article by Ms. Nicole Dunn, Assistant Director of Development for Living Water College of the Arts, Canada. They have a stupendous website, which everyone should visit. The link is given at the end of the article.

“Music, great music, stretches the spirit, arouses profound emotions and almost naturally invites us to raise our minds and hearts to God in all situations of human existence, the joyful and the sad. Music can become prayer.” — His Holiness, Pope Benedict XVI


IVING WATER COLLEGE OF THE ARTS embodies the thoughts of Pope Benedict in this summer’s Sacred Choral Music Program. As the faithful learn how music can be beautiful, soul-lifting prayer, they naturally aspire to sing better music. Why be satisfied with the ordinary when, in fact, there is a wealth of beautiful church music readily accessible and very learnable? All that is needed is some education.

Living Water College offers this education through a 2 week program, where students immerse themselves in the quiet, pastoral setting of Living Water College, enjoying a significant break from the normal pace of life. “Try something this Summer that will change your life;” says Dcn. Kenneth Noster, President of the college, “it’s comprehensive; a great opportunity to develop skills, while refreshing your mind and spirit amidst some of Alberta’s most beautiful countryside. No matter where you are in your faith, you will grow here.”

One of Canada’s pre-eminent choral directors will provide the training in sacred choral music, using motets, gregorian chant, and the works of great classical composers. Maestro Uwe Leiflander, head of the music department at Our Lady Seat of Wisdom Academy, returns to Living Water with over 3 decades of experience in musical pedagogy and performance as an instrumentalist and choral conductor. Professional musicians and beginners alike can expect to benefit from the course as they immerse themselves in Schubert, Mozart and Bach. Unique to Living Water, the choral program contains an academic component which complements the practical training and informs each singer’s understanding of music. Classes in the liberal arts emphasize both the power and the objective beauty of music.

Participants will find themselves truly engaged in the study of fine art, perhaps reading the ground-breaking works of Aristotle, suggesting that the measure of fine art is in the eye of the beholder. They might then discuss the more cautious Plato, who insisted art couldn’t be judged by just any old “beholder”, but rather only by the one who was eminently refined in his tastes. No doubt they will ultimately discuss the long-held Christian view, affirming that artistic expression becomes “fine art” when it speaks to something quite different in man, not limited to cultural refinement, but found as frequently in the poor, even the illiterate. It is not cultural refinement that makes fine art powerful, but rather moral character. The person who is morally vigilant, striving daily to become holy, will be truly elevated by fine music. It will not only be an aid to personal growth but a source of true joy. Why? Simply because the soul is open to truth and beauty.

Open your soul to truth and beauty this Summer. Expand your mind, build your repertoire of church music, and enter into Mass more profoundly than you may have thought possible.

Alumni relish the friendships they have formed in this peaceful place among the rolling hills of Alberta’s Lakeland, while they grow personally and artistically. They also treasure daily Mass, Liturgy of the Hours, opportunity for spiritual direction, and the opportunity to form a network of like-minded artists.

For more details, please visit:

      * *  LIVINGWATERCOLLEGE.COM [url]      E-mail: admin@livingwatercollege.com

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.”

— ‘Rev. Adrian Fortescue (THE MASS, page 397)’

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