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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jesuits, Juilliard, And The Latin Mass In Florida

Jeff Ostrowski · March 25, 2013

OR THOSE discovering Mass in the Extraordinary Form, one of the first realizations is that the priest “disappears.” I come from a family of five children, and when we first went to the Latin Mass in the 1990s, I clearly remember all of us noticing this. The priest keeps his head down most of the time. (As a matter of fact, the movements of his head are carefully prescribed by the rubrics.) I think we can all agree that the priest “disappearing” is a very good thing, but it led to problems in this instance, since I wanted to include information about the Pastor (Fr. Clement) but could not find any on the website. Perhaps one of our readers knows more information about this parish and can E-mail us.

In any event, one of our readers alerted us to the following fantastic video:

I especially enjoyed the following quotes by Fr. Hough:

“When you attend the Latin Mass, what you realize is, it doesn’t really matter how you feel that day, whether you feel happy or sad: you’re entering into something far greater than you.”

“I believe that more and more people will start to come to this, if nothing else because they wish to find a way in their world to carve out quiet time.

They have a beautiful website I would encourage everyone to visit:

      * *  http://sacrificiumsanctum.org/

I see they are currently in the process of raising funds for a new Latin Mass Missal and Hymnal (Yay!):

We are trying to raise $1500 to purchase 100 St. Edmund Campion Missals/Hymnals to have available for you to use for Mass. Any amount you can give is greatly appreciated.

Finally, here’s a bit of information I found on their blog [url]:

It is my pleasure to introduce and welcome Fr. J. Patrick Hough, S.J. Recently I had the privilege to meet Fr. Hough when I visited Jesuit High School. After learning that Fr. Hough is trained in celebrating the Extraordinary Form, I invited him to assist me on a regular basis in celebrating the Traditional Latin Mass at Incarnation. Thankfully, he accepted and will begin by being the main celebrant on December 2nd. Please come out to welcome Fr. Hough and extend to him our gratitude and hospitality.

Fr. J. Patrick Hough, S.J., 38, is originally from Lancashire, England, where he attended Stonyhurst College. An athlete and musician, he spent a year teaching math and geography, coaching tennis and working with the music program at St. Ignatius High School in Sydney, Australia. He earned his Bachelor’s degree in Geography from Leeds University, followed by a second Bachelor’s degree in Sacred Theology from the Pontifical Gregorian University in Rome, and he spent an additional year studying theology at Pontifical Angelicum University, also in Rome.

Upon entering the Jesuit novitiate in 2002, he worked at both Sacred Heart Church in El Paso and Strake Jesuit College Preparatory in Houston. He then went on to earn a Master’s degree in Medieval History from Fordham University in New York where he also served as music director of the Sunday evening student mass at St. Paul’s Church. He also studied orchestral conducting and singing at the Juilliard School. During his regency, Fr. Hough taught and served as coach of the rowing team at Jesuit College Preparatory in Dallas, after which he earned his Licentiate in Sacred Theology from the Jesuit School of Theology at Santa Clara University in Berkeley, Calif. While there, he was assistant coach of the freshman rowing team at the University of California in Berkeley.

Fr. Hough is currently assigned to Jesuit High School here in Tampa, where he serves as the Director of the Department of Theology. I am happy to welcome him on board at Incarnation and look forward to his help with the Traditional Latin Mass, and I’m sure you will too.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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