1908 Graduel Neumé by Cardine

Corpus Christi Watershed · March 19, 2013

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* * 1908 Graduel Neumé by Cardine (PDF)

• This is a 1908 Graduale with Cardine’s hand-written neumes written in • Dom Eugène Cardine, moine de Solesmes • GRADUALE SACROSANCTAE ROMANAE ECCLESIAE DE TEMPORE ET DE SANCTIS SS. D. N. PII X. PONTIFICIS MAXIMI JUSSU RESTITUTM ET EDITUM AD EXEMPLAR EDITIONIS TYPICAE CONCINNATUM ET RHYTHMICIS SIGNIS A SOLESMENSIBUS MONACHIS DILIGENTER ORNATUM TYPIS SOCIETATIS S. JOANNIS EVANG. Desclée & Socii [olim Desclée, Lefebvre et Soc.] S. Sedis Apostolicae et S. Rituum Congregationis Typographi. ROMAE, TORNACI : : 1908 : : •

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

14 June 2021 • “From Rehearsal…”

One of our choristers recorded this audio excerpt from a recent rehearsal we had. I know there are certain people on the internet who claim that “proper voice leading & harmonies died with Bach in 1750AD…anything goes these days.” But I could not disagree more with such an assertion. The proper rules of harmony and counterpoint make incredible music—and I would suggest that tiny excerpt (from our volunteer choir rehearsal) shows this reality.

—Jeff Ostrowski

3 June 2021 • Re: “Mass of the Angels”

In the past, we have provided thirteen organ accompaniments to Mass VIII (a.k.a. “Missa de Angelis”). Some versions of the KYRIALE use the melody from Sanctus VIII for Agnus VIII also. Dr. Peter Wagner’s 1903 edition of the KYRIALE does this, as we mentioned earlier this month. Please sing through Sanctus VIII and then sing O Quam Suavis Est from the feast of Corpus Christi. Do you hear it?

—Jeff Ostrowski

1 June 2021 • Unsure of Author

The editors of this 1667AD Missale Romanum weren’t sure who wrote the VEXILLA REGIS hymn, so they wrote this in the margin. (To be fair, the original text by Bishop Fortunatus was greatly altered under Pope Urban VIII.)

—Jeff Ostrowski

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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