• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

From Ashes to the Living Font

Richard J. Clark · March 1, 2013

ANTE’S DIVINE COMEDY begins, “Nel mezzo del cammin di nostra vita…”

Midway on our life’s journey, I found myself in dark woods, the right road lost. To tell about those woods is hard – so tangled and rough…

As when Divine Love set those beautiful lights into motion at creations dawn, and the time of day and season combined to fill my heart with hope…
(translation by Robert Pinsky, Poet Laureate Consultant in Poetry to the Library of Congress, 1997-2000)

Sometimes we do our best work while in exile or subject to persecution. It is in struggle that we find out of what we are truly made. We also find out that God sustains us every step of the way when otherwise we might meet with destruction. I know God has sent people into my life to whom I owe my very life. Each has saved me and sustained me at just the right time. But that is a story for another day.

Dante, considered the greatest Christian poet, is the author of the greatest literary work in the Italian language. His masterpiece, which fostered the evolution of the Italian language itself, was written while in exile under the threat of being burned at the stake if he ever returned to Firenze.

In the Forward of Robert Pinsky’s translation of The Inferno, John Freccero states, “Hell is a limit situation, like the prison camp or the cancer ward, where all illusions are stripped away and one has no choice but to acknowledge one’s powerlessness.”

It is in our powerlessness that we often find God.

As Dante wrote his epic poem “midway upon life’s journey” we too are almost midway through our Lenten journey. Today, the Chair of Peter lies empty. This Lent, we will certainly end up in a different place than where we started. Hopefully, we will be transformed individually and as a Church.

Reflecting this journey, the Ash Wednesday Collect from the Roman Missal refers to Lent as “this campaign of Christian service…” Through this campaign, Lent is marked by two themes: preparation for baptism and penance. But Lent is also a joyful season with its expectation of resurrection and as a time of healing.

As such, I find it absolutely fascinating that the Introit for Ash Wednesday – the very first prayer of Lent – Misereris Omnium – is full of humankind’s acknowledgement of God’s infinite mercy:

“Your mercy extends to all things, O Lord, and you despise none of the things you have made. You overlook our sins for the sake of repentance. You grant them your pardon, because you are the Lord our God.” –Wisdom 11:24-25, 27; Psalm 57 (56)

(St. Cecilia Schola, singing Misereris Omnium with organ variations)
Variations published by RJC Cecilia Music

Just as fascinating to me is that when we wake up on Easter Sunday morning, the Church prescribes one of the MOST glorious texts to be sung (in Phrygian mode IV no less): Resurrexi: Psalm 139: 18, 5, 6, and 1-2:

“I am risen, and I am always with you, alleluia; you have placed your hand upon me, alleluia; your wisdom has been most wonderful, alleluia, alleluia. v. O Lord, you have searched me and known me; you know when I sit and when I rise up.”

This text from Psalm 139 is most loving and intimate – a mutual love poured out from our God and from His people who offer praise and thanksgiving to our Lord who watches over us and cares for us. I am risen and I am always with you. Christ, who suffered death on a cross for us, will never leave us comfortless or abandoned.

Furthermore, the musical setting is thoroughly surprising to our modern sensibilities. The ancient modal scheme contains two surprises: one, that Easter Sunday begins with a series of minor intervals; two, that the first and final “alleluias” end unresolved, a half step below a modern “major key” resolution and a step above a modern “minor” resolution. In between and timeless – unresolved for eternity. “I am always with you.” Unlike a nice C Major hymn with organ and brass (and who doesn’t love that? Nothing wrong with that!) the Introit for Easter Sunday, Resurrexi, expresses the transcendent. Mode IV may be the ideal mode to express what Karl Rahner, S.J. identifies as surrender to the “incomprehensible Mystery called God.” The “unresolved” ending is in fact strangely satisfying. It reveals without words an act of faith. It expresses the ineffable mystery that is the Resurrection, the eternity of God and God’s love for us.

Here is my setting of I Am Risen, Resurrexi
St. Cecilia Parish Choir, Boston, Massachusetts
Published by RJC Cecilia Music

At times in life, we may be in exile. We may be persecuted. We will suffer in ways we don’t deserve, nor expect. Some will suffer the unfathomable cruelty of great tragedy. But exile is where we find God closest to us. We find the God who never abandons us and will never leave us comfortless. It is in exile that we find our true calling from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up