• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Lovely, If Unfamiliar

Fr. David Friel · February 10, 2013

This blog originally appeared as an article in The Latin Mass: The Journal of Catholic Culture and Tradition (Vol. 21, No. 4, Christmas 2012).

HEY WERE BLESSED MONTHS. I remember them with great fondness, and, even now, I am mesmerized by my experiences during that serendipitous span. Their formative value could surely never have been foreseen. I was a young, American adult living in a backwater German village, about two hours from the nearest Hauptbahnhof. Having been raised in the Delaware Valley, I spoke a rather tawdry brand of Philadelphian English. My education had included four years of elementary school Spanish, four years of high school German, and a couple semesters of college Koine Greek. All of that served in no wise to prepare me for the task of dwelling in Deutschland.

Frankfurt was easy to navigate. There were many cognates in the signage, and I remembered a handful of useful phrases from high school. Most of the time, it was easy enough to ask a question in my native tongue anyway. That sense of security was short-lived, however, since I soon drove into the lovely, if unfamiliar, Teutonic countryside.

The village where I was living had been founded in AD 591. (From the looks of the thatched roofs, I actually wondered if some could be original!) The sparse inhabitants were plain, hearty people—mostly farmers and smiths. They were schooled only by their families and neighbors and by the land, so English was about as useful as a porcelain hammer. Nor were my meager German language skills of any value, since I quickly discovered their manner of speaking to be far less textbook German than my peculiar brand of speaking is standard English.

In those first weeks, I was relentlessly reminded that I was not at home. It was utterly impossible for me to forget—even temporarily—that I had been transported to live in another world. The situation was uncomfortable, disconcerting, and a bit frightening. I was apprehensive at first, and things quickly devolved. I was decidedly alone. Only two options seemed viable for survival: either give up and go home, or put out into the deep. The transatlantic flight wasn’t cheap, so I chose the latter.

I started frequenting the few stores in the village in search of linguistic practice. I would greet every man, woman, or child I encountered in the hopes of expanding my vocabulary. I went to get my hair cut twice a month instead of once, simply in search of dialogue.

I found that I had to listen not only to their voices, but to the sum total of their aural, physical, and emotional communication. Their posture, gestures, and features became essential tools of interpretation for me. My sensitivities naturally grew heightened, so as not to miss the smallest verbal or non-verbal cue. By doing so, I began to be able to understand them. In time, I even became capable of basic responses.

Even as my facility grew, though, the sense of other-worldliness never left. It was ever-present to my mind and heart that I was not in my native home, and yet this foreign place gave me the curious impression of not being truly foreign. It presented itself, rather, as simply another type of home. This was at once an inscrutable conundrum and a delightful state of affairs.

Upon landing in Frankfurt, I had been twenty-two and confident. Upon returning to the USA, I was still twenty-two but fire-tried. I had experienced the grand confrontation of disparate cultures. It didn’t kill me; in fact, it made me stronger. The struggle stretched me. I became, paradoxically, more communicative.

Language became, for me, a glorious vehicle by which to encounter another person. It became a channel not only for communication, but also for communion. Every villager I met made me more and more acutely aware of the tremendous mystery of the human person. I became insatiable, and their mystery began to be revealed. In unexpected ways, the nature and meaning of life and personhood were discovered to me through the simple stock of that ancient hamlet.

None of this would ever have happened, of course, if I had stayed in the comfort of my home or even the terminal at Philadelphia International. If it were not for the struggle, I would never have known the benefit. I would never have learned that another type of home exists. It required putting out into the deep.

They were, indeed, blessed months. They demanded humility and charity; they fostered subtlety and vulnerability; they inspired patience and love.

And that’s how I came to love Latin liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Last Updated: December 6, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

Recent Posts

  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?
  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.