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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Lovely, If Unfamiliar

Fr. David Friel · February 10, 2013

This blog originally appeared as an article in The Latin Mass: The Journal of Catholic Culture and Tradition (Vol. 21, No. 4, Christmas 2012).

HEY WERE BLESSED MONTHS. I remember them with great fondness, and, even now, I am mesmerized by my experiences during that serendipitous span. Their formative value could surely never have been foreseen. I was a young, American adult living in a backwater German village, about two hours from the nearest Hauptbahnhof. Having been raised in the Delaware Valley, I spoke a rather tawdry brand of Philadelphian English. My education had included four years of elementary school Spanish, four years of high school German, and a couple semesters of college Koine Greek. All of that served in no wise to prepare me for the task of dwelling in Deutschland.

Frankfurt was easy to navigate. There were many cognates in the signage, and I remembered a handful of useful phrases from high school. Most of the time, it was easy enough to ask a question in my native tongue anyway. That sense of security was short-lived, however, since I soon drove into the lovely, if unfamiliar, Teutonic countryside.

The village where I was living had been founded in AD 591. (From the looks of the thatched roofs, I actually wondered if some could be original!) The sparse inhabitants were plain, hearty people—mostly farmers and smiths. They were schooled only by their families and neighbors and by the land, so English was about as useful as a porcelain hammer. Nor were my meager German language skills of any value, since I quickly discovered their manner of speaking to be far less textbook German than my peculiar brand of speaking is standard English.

In those first weeks, I was relentlessly reminded that I was not at home. It was utterly impossible for me to forget—even temporarily—that I had been transported to live in another world. The situation was uncomfortable, disconcerting, and a bit frightening. I was apprehensive at first, and things quickly devolved. I was decidedly alone. Only two options seemed viable for survival: either give up and go home, or put out into the deep. The transatlantic flight wasn’t cheap, so I chose the latter.

I started frequenting the few stores in the village in search of linguistic practice. I would greet every man, woman, or child I encountered in the hopes of expanding my vocabulary. I went to get my hair cut twice a month instead of once, simply in search of dialogue.

I found that I had to listen not only to their voices, but to the sum total of their aural, physical, and emotional communication. Their posture, gestures, and features became essential tools of interpretation for me. My sensitivities naturally grew heightened, so as not to miss the smallest verbal or non-verbal cue. By doing so, I began to be able to understand them. In time, I even became capable of basic responses.

Even as my facility grew, though, the sense of other-worldliness never left. It was ever-present to my mind and heart that I was not in my native home, and yet this foreign place gave me the curious impression of not being truly foreign. It presented itself, rather, as simply another type of home. This was at once an inscrutable conundrum and a delightful state of affairs.

Upon landing in Frankfurt, I had been twenty-two and confident. Upon returning to the USA, I was still twenty-two but fire-tried. I had experienced the grand confrontation of disparate cultures. It didn’t kill me; in fact, it made me stronger. The struggle stretched me. I became, paradoxically, more communicative.

Language became, for me, a glorious vehicle by which to encounter another person. It became a channel not only for communication, but also for communion. Every villager I met made me more and more acutely aware of the tremendous mystery of the human person. I became insatiable, and their mystery began to be revealed. In unexpected ways, the nature and meaning of life and personhood were discovered to me through the simple stock of that ancient hamlet.

None of this would ever have happened, of course, if I had stayed in the comfort of my home or even the terminal at Philadelphia International. If it were not for the struggle, I would never have known the benefit. I would never have learned that another type of home exists. It required putting out into the deep.

They were, indeed, blessed months. They demanded humility and charity; they fostered subtlety and vulnerability; they inspired patience and love.

And that’s how I came to love Latin liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In older times we referred to humans as the human race, but according to this foundation we are being classed with the animals on the farm, the cow, the horse, the mule […] According to this foundation, I have no right to be born, for I am the youngest of 16 children, and God bless my mother for every one of them!”

— Archbishop Schrembs (d. 1945) vs. a foundation promoting artificial contraception

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  • Fulton J. Sheen • “24-Hour Catechism”
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