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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Full and Active Preparation – ora et labora

Richard J. Clark · January 25, 2013

HOSE MOST SKILLED in the art of conversation are not those who speak most frequently, but those who listen. Listening is among the greatest acts of love and compassion. Taking time, energy, and concentration, listening is profoundly active.

But when called to respond, those who actively listen can do so carefully and thoughtfully. In our prayer, do we listen to God, and can we respond to His call thoughtfully?

Blessed John Paul II’s 1998 Ad Limina Address to the Bishops of the United States, On Active Participation in the Liturgy contains extraordinary gems of wisdom including: (emphasis added)

“Active participation certainly means that, in gesture, word, song and service, all the members of the community take part in an act of worship, which is anything but inert or passive. Yet active participation does not preclude the active passivity of silence, stillness and listening: indeed, it demands it. Worshippers are not passive, for instance, when listening to the readings or the homily, or following the prayers of the celebrant, and the chants and music of the liturgy. These are experiences of silence and stillness, but they are in their own way profoundly active.”

With this profound advice, the Holy Father continues:

“In a culture which neither favors nor fosters meditative quiet, the art of interior listening is learned only with difficulty. Here we see how the liturgy, though it must always be properly inculturated, must also be counter-cultural.”.

Interior listening is progressive. Interior listening is relevant. Interior listening is counter-cultural! With unmistakable clarity, the 2007 US Bishop’s Document Sing to the Lord: Music in Divine Worship, further emphasizes: “The importance of silence in the Liturgy cannot be overemphasized.” (no. 118.)

Meanwhile, I spend nearly all of my days in God’s house (though through no special virtue of my own. I am a great sinner, no doubt. Those happy to second this, please take a number. Proceed to the back of the line.) Busy with everything from never-ending administrative tasks to composing new sacred works, meditative prayer and interior listening can still be elusive. While I can count myself as physically present at a dozen or so liturgies per week, I can honestly say that am fully active, present, and prayerful at far fewer, sometimes even none.

For the sacred musician, full and active participation not only includes mindfulness during mass, but demands full and active preparation well in advance. This holds true for all ministers of the liturgy. This holds true for the priest. This holds true for the congregation who must have opportunity for sacred silence in preparation of the Sacred Liturgy. For example, while a prelude may assist the faithful in entering into prayer, it is advisable to leave time for sacred silence before the Entrance Chant.

Meanwhile, long hours and hard work spent in preparation are necessary. Prayer and meditation are necessary, but one can’t learn and teach music through meditation and prayer alone. Prayer and work go hand in hand – ora et labora.

A few years ago Dr. J. Michael McMahon visited St. Cecilia Parish in Boston to give a symposium on “Sing to the Lord: Music in Divine Worship.” On the pragmatic point of hard work in rehearsal, with widened eyes he emphatically declared, “…it is not a performance, but the choir had BETTER perform.”

This statement is a revelation to some. However, one can derive from this great common sense: prepare more fully and actively, so that we may be more present in spirit. Prepare more fully and actively, so that we will be highly mindful of the sacred text we sing. Prepare more fully and actively, in order to be less consumed by myriad technical details. Most importantly, prepare fully and actively so that worshipers can sing and listen with greater ease and attentiveness. Preparation assists not only our own interior listening, but also that of God’s people. Preparation is in itself a noble prayer and an act of love for God and each other.

34. For in the Liturgy God speaks to His people and Christ is still proclaiming His Gospel. And the people reply to God both by song and prayer. (Sacrosanctum Concilium)

Finally, with hard work comes the inevitable fatigue in body and spirit. It is then time to remember stillness, calm, and silence. Listen to God and revel in His presence. I write this for myself, a sinner, who needs to remember this more than anyone who may read this.

Listening to God prepares us for Him. How will we thoughtfully respond to His call?

“And the people reply to God both by song and prayer.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 11, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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