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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Full and Active Preparation – ora et labora

Richard J. Clark · January 25, 2013

HOSE MOST SKILLED in the art of conversation are not those who speak most frequently, but those who listen. Listening is among the greatest acts of love and compassion. Taking time, energy, and concentration, listening is profoundly active.

But when called to respond, those who actively listen can do so carefully and thoughtfully. In our prayer, do we listen to God, and can we respond to His call thoughtfully?

Blessed John Paul II’s 1998 Ad Limina Address to the Bishops of the United States, On Active Participation in the Liturgy contains extraordinary gems of wisdom including: (emphasis added)

“Active participation certainly means that, in gesture, word, song and service, all the members of the community take part in an act of worship, which is anything but inert or passive. Yet active participation does not preclude the active passivity of silence, stillness and listening: indeed, it demands it. Worshippers are not passive, for instance, when listening to the readings or the homily, or following the prayers of the celebrant, and the chants and music of the liturgy. These are experiences of silence and stillness, but they are in their own way profoundly active.”

With this profound advice, the Holy Father continues:

“In a culture which neither favors nor fosters meditative quiet, the art of interior listening is learned only with difficulty. Here we see how the liturgy, though it must always be properly inculturated, must also be counter-cultural.”.

Interior listening is progressive. Interior listening is relevant. Interior listening is counter-cultural! With unmistakable clarity, the 2007 US Bishop’s Document Sing to the Lord: Music in Divine Worship, further emphasizes: “The importance of silence in the Liturgy cannot be overemphasized.” (no. 118.)

Meanwhile, I spend nearly all of my days in God’s house (though through no special virtue of my own. I am a great sinner, no doubt. Those happy to second this, please take a number. Proceed to the back of the line.) Busy with everything from never-ending administrative tasks to composing new sacred works, meditative prayer and interior listening can still be elusive. While I can count myself as physically present at a dozen or so liturgies per week, I can honestly say that am fully active, present, and prayerful at far fewer, sometimes even none.

For the sacred musician, full and active participation not only includes mindfulness during mass, but demands full and active preparation well in advance. This holds true for all ministers of the liturgy. This holds true for the priest. This holds true for the congregation who must have opportunity for sacred silence in preparation of the Sacred Liturgy. For example, while a prelude may assist the faithful in entering into prayer, it is advisable to leave time for sacred silence before the Entrance Chant.

Meanwhile, long hours and hard work spent in preparation are necessary. Prayer and meditation are necessary, but one can’t learn and teach music through meditation and prayer alone. Prayer and work go hand in hand – ora et labora.

A few years ago Dr. J. Michael McMahon visited St. Cecilia Parish in Boston to give a symposium on “Sing to the Lord: Music in Divine Worship.” On the pragmatic point of hard work in rehearsal, with widened eyes he emphatically declared, “…it is not a performance, but the choir had BETTER perform.”

This statement is a revelation to some. However, one can derive from this great common sense: prepare more fully and actively, so that we may be more present in spirit. Prepare more fully and actively, so that we will be highly mindful of the sacred text we sing. Prepare more fully and actively, in order to be less consumed by myriad technical details. Most importantly, prepare fully and actively so that worshipers can sing and listen with greater ease and attentiveness. Preparation assists not only our own interior listening, but also that of God’s people. Preparation is in itself a noble prayer and an act of love for God and each other.

34. For in the Liturgy God speaks to His people and Christ is still proclaiming His Gospel. And the people reply to God both by song and prayer. (Sacrosanctum Concilium)

Finally, with hard work comes the inevitable fatigue in body and spirit. It is then time to remember stillness, calm, and silence. Listen to God and revel in His presence. I write this for myself, a sinner, who needs to remember this more than anyone who may read this.

Listening to God prepares us for Him. How will we thoughtfully respond to His call?

“And the people reply to God both by song and prayer.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 11, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The Catholic Church holds it better for the sun and moon to drop from heaven, for the earth to fail, and for all the many millions on it to die of starvation in extremest agony, as far as temporal affliction goes, than that one soul, I will not say, should be lost, but should commit one single venial sin, should tell one willful untruth, or should steal one poor farthing without excuse.”

— Saint John Henry Newman (1865)

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