• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Biography • Dr. Samuel Backman

Dr. Samuel Backman · January 10, 2013

AMUEL BACKMAN earned degrees at Saint Olaf College (BM), the Yale School of Music (MM), and a doctorate from the University of Oklahoma. He studied organ—performance and improvisation—with John Ferguson, Catherine Rodland, Martin Jean, Brian Luckner, Damin Spritzer, and John Schwandt. He studied conducting with Anton Armstrong, Christopher Aspaas, Maguerite Brooks, and Timothy Mahr. Samuel is a recipient of many distinguished scholarships and awards, including Saint Olaf College’s G. Winston Cassler Scholarship, Yale’s Mary Baker Award for excellence in organ accompaniment, the (Chicago) Lutheran School of Theology’s Ruth and Paul Manz Scholarship, as well as a nomination to PI KAPPA LAMBDA (a national honor society for music).

*  Publicity Photo • DR. SAMUEL BACKMAN (2019)

Samuel Backman currently serves as Director of Sacred Music at Holy Cross Catholic Church in Minneapolis, Minnesota, where he chairs a multi-faceted music program across three campuses. Samuel functions as principal organist and as conductor for the HOLY CROSS CHOIR, SAINT HELENA SINGERS, and TENEBRAE CHOIR. An active performer, Dr. Backman has been featured as an organ recitalist for conferences hosted by the American Guild of Organists and the Church Music Association of America.

31668-wife-Samuel-Backman-HEADSHOT-jpg
31667-Samuel-Backman-HEADSHOT-JPG
31665-HEADSHOT-Samuel-Backman-JPEG
31669-Samuel-Backman-HEADSHOT-JPEG

Dr. Backman’s performances have also been featured on PIPEDREAMS, a nationally distributed public radio program service hosted by Michael Barone. He is a composer and arranger (choir, organ, piano, and chamber ensembles), and his compositions have been published by Paraclete Press. In January 2024, he premiered “Symfonia Kolęd”—a four-movement symphony for organ—and will soon debut a 30-minute song cycle for soprano and organ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: July 25, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

Recent Posts

  • Father Chris Smith Celebrates 20 Years as a Priest
  • “Practical Solutions to Impractical Problems” • Lerner’s Philosophy of Parish Music
  • Gregorian Chant Academy Free Workshop
  • Cardinal Heenan Speaks About Monsignor Knox
  • An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.