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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dr. Samuel Backman

Dr. Samuel Backman · January 10, 2013

AMUEL BACKMAN earned degrees at Saint Olaf College (BM), the Yale School of Music (MM), and a doctorate from the University of Oklahoma. He studied organ—performance and improvisation—with John Ferguson, Catherine Rodland, Martin Jean, Brian Luckner, Damin Spritzer, and John Schwandt. He studied conducting with Anton Armstrong, Christopher Aspaas, Maguerite Brooks, and Timothy Mahr. Samuel is a recipient of many distinguished scholarships and awards, including Saint Olaf College’s G. Winston Cassler Scholarship, Yale’s Mary Baker Award for excellence in organ accompaniment, the (Chicago) Lutheran School of Theology’s Ruth and Paul Manz Scholarship, as well as a nomination to PI KAPPA LAMBDA (a national honor society for music).

*  Publicity Photo • DR. SAMUEL BACKMAN (2019)

Samuel Backman currently serves as Director of Sacred Music at Holy Cross Catholic Church in Minneapolis, Minnesota, where he chairs a multi-faceted music program across three campuses. Samuel functions as principal organist and as conductor for the HOLY CROSS CHOIR, SAINT HELENA SINGERS, and TENEBRAE CHOIR. An active performer, Dr. Backman has been featured as an organ recitalist for conferences hosted by the American Guild of Organists and the Church Music Association of America.

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Dr. Backman’s performances have also been featured on PIPEDREAMS, a nationally distributed public radio program service hosted by Michael Barone. He is a composer and arranger (choir, organ, piano, and chamber ensembles), and his compositions have been published by Paraclete Press. In January 2024, he premiered “Symfonia Kolęd”—a four-movement symphony for organ—and will soon debut a 30-minute song cycle for soprano and organ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: July 25, 2024

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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