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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Underground Church

Fr. David Friel · November 25, 2012

NCE UPON A TIME, there was a young man who grew up in a large family. He was the third of eleven children. He had a great sense of humor, and he was very devoted to prayer—so much so that he decided he wanted to become a priest. Just at the time he was beginning his studies to become a Jesuit priest, though, a new ruler came to power in his country.

This new ruler wrote new laws into the country’s constitution that were specifically designed to suppress the public practice of religion. Article 3 of this new constitution mandated secular education in schools, prohibiting the Church from participating in primary and secondary education. Article 5 outlawed monastic religious orders. Article 24 forbade public worship outside of church buildings. Article 27 restricted the rights of religious organizations to own property. Article 130 made it illegal for priests to dress as priests and denied them the right to vote.

Because of these new laws, the Church was basically forced to go underground. As a result, the young man who aspired to become a Jesuit was sent to another country to complete his studies and be ordained. A few years later, when he became a priest, he returned to his home country. The way he went about being a priest was very different than the way I go about being a priest. Whereas I walk and run and drive around the Parkwood Manor section of Philadelphia trying to bring the Gospel to our neighborhood as publicly as I can, this young priest had to do things differently. He went to visit and minister to his people in their places of work, but he had to wear costumes so he wouldn’t be discovered. He would gather people in small groups in basements and attics to celebrate Mass for them. He heard their confessions while walking covertly in the streets.

The local police became aware that there was a priest secretly operating in this particular area, so they sought him out. They eventually discovered him and arrested him. Then, without even the pretense of a trial, it was decided that he should be executed. He was led out of his prison cell and taken to a courtyard. A guard asked what his final wish would be, and the priest said he wanted to pray. So he knelt down for a moment on the ground, praying for his family, the guards, and for the conversion of the ruler who had imposed the new laws. When he stood up, he stretched out his arms to his sides, in the shape of a cross, clutching a rosary in one hand and a crucifix in the other. As the firing squad took their aim, he yelled out, “Long live Christ the King!” And he was shot to death.

Fact or fiction? Is that a fairy tale, or is it a true story? It is, in fact, a true story—down to every detail. When do you think it happened? Where could something like this happen? Maybe around the time of Nero’s persecutions in Rome? Perhaps in the era of English recusancy? Maybe around the time of colonialism in West Africa?

No—this all happened in Mexico in the 1920’s. The name of the cruel ruler was President Plutarcho Calles. He instituted his new laws persecuting the Church in the Mexican Constitution of 1917. And the name of the young priest was Miguel Pro, whom we now call Blessed Miguel Pro. Does all this surprise you as it surprises me? This didn’t happen a million years ago in a distant, unknown land. This happened less than a century ago in a country with whom we share a border. There are people alive today who knew Blessed Miguel Pro. There are photographs of his execution.

I am inspired by this story. It motivates me. I admire the extraordinary zeal of a young priest on fire with the faith. Even in the face of abject persecution, the Mexicans who remained faithful to Christ and led the Cristero counter-rebellion are a model for us. They teach us fidelity to Christ above all else. It’s not merely coincidental that the Solemnity of Christ the King was established by Pope Pius XI—in the 1920’s. This story and this solemnity teach us that Christ, alone, must be our King: not a government or a president, not “financial security”, not secularism, not sports, not alcohol or drugs, and not ourselves. There is room for only one King on the throne of our hearts, and we must zealously guard that seat for Christ.

Friends: if this could happen in 1920’s Mexico—a place that had long been one of the most Catholic countries in the world—it could happen again. Even in “the land of the free and the home of the brave,” we are confronted every day with the dictatorship of relativism and secularism. We live & breathe & work in an atmosphere that can be toxic to faith if we allow it to be. Instead, may we have the spirit & energy & faith that animated Blessed Miguel Pro! May every heartbeat of ours reecho his stirring last words: Viva Cristo Rey!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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