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Views from the Choir Loft

Liturgy And Our Television Age

Jeff Ostrowski · November 2, 2012

HE OTHER DAY, I conceived of a theory (conclusion?) I wish to share. It was regarding the capacity of the modern Catholic to understand Liturgy. In particular, I asked myself whether we have reached a point of our “television culture” where everything is so informal and unstructured that any notion of dignified, proper Liturgical actions at Mass are lost. Perhaps the kind reader will allow me to explain.

First of all, we never discuss politics on the CCW Blog, because talking politics is not our calling: it is not something we focus on. When it comes to politics, all we really feel called to share is that the life issues are paramount for us. In other words, we must always promote what Pope John Paul II called a “Culture of Life” and do what we can to stop the murder of the innocent. This is very important.

In spite of this, I hope the reader will permit me to mention a small bit about politics, because it is impossible for me to make my point otherwise. I happened to see a section from one of the National Conventions on YouTube, where Cardinal Timothy Dolan was giving an important closing prayer for the convention. Hopefully my memory of the event is correct (my memory is not always reliable). To put it mildly, I was appalled.

First of all, the Cardinal was introduced by the Speaker of the House, who seemed to me (without question) to be drunk. For myself, I don’t drink, so I’m not an expert in this area, but I really felt that he was severely intoxicated, which I find scandalous. Drinking to excess is a sin. Furthermore, the Cardinal was trying to start the prayer, but the lights, sound, and special effects wouldn’t let him. (* Note this point) He just stood there, patiently waiting, and looking really foolish as balloons were coming down from the ceiling. Finally, he got sick of waiting (I, frankly, would have simply walked off the stage) and started the prayer. Nobody payed attention. Eventually, some of them stopped what they were doing and paid attention. It was a mess.

Why I am relating these events? Because I feel it gives us a clue why our liturgies have reached the point they have. We no longer seem to appreciate any sense of propriety, dignity, respectful behavior, “ordered movement” if you will. (In the liturgy, things must be done in a reverent, orderly way.)

I wonder if the constant and relentless “television society” has contributed to this. Have you noticed that absolutely everything is shown on television these days? Even the most intimate and private things are shown. Bad and ugly behavior is shown. Childish actions are glorified. There are even numerous shows that are “reality shows” or take you “behind the scenes,” so you see your favorite actors doing things that make you lose respect for them. Whose idea was this? It seems to me that in the old days they had a better sense of what types of things ought to be shown . . . and how they should be presented. I have reached a point where I will not watch television in public anymore: I’m just too embarrassed for the human race. In private I will watch Brother Cadfael movies, early episodes of Andy Griffith, documentaries about famous musicians, or other well-produced things. (And, ever since we started having kids, I cannot even remember the last time I watched anything!).

When people become accustomed to seeing sick, perverse, childish, ridiculous presented on the television screen, perhaps we should not be surprised that our liturgies are not dignified and reverent. Furthermore, showing intimate and special things on television really does “cheapen” life.

I hope that Corpus Christi Watershed can always continue to “build up” the culture, and be a real force for what is true, good, holy, and beautiful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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