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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Carmel

Fr. David Friel · July 23, 2012

As a son of Our Lady of Mt. Carmel parish in Doylestown, PA, my favorite title for Mary is an easy pick. Of course, the feast of Mt. Carmel, which we celebrate every July 16th, has long been associated with the brown scapular. For those of us who wear it, the scapular is meant as a sign of Mary’s protection and a reminder that we are her children.

The actual place called Mount Carmel—a 1,724-foot ridge in the Holy Land—has been the site of a monastery from around the 12th century. Since that time, men and women have lived there, devoting themselves to prayer and contemplation. That is the special charism of all Carmelites: prayer and contemplation.

The word Carmel, itself, is a Hebrew word meaning “God’s Vineyard.” That’s what every Carmelite monastery tries to be: a fruitful vineyard of prayer. At the very heart of Carmelite spirituality, of course, is a special devotion to the Blessed Mother. Just as we would say that Jesus is the New Adam—the obedient Man who undid the disobedience of the first Adam—so Carmelites would tell us that Mary, herself, is not only the new Eve, but also the new Eden.

St. Louis Marie de Montfort says it well: “Our Blessed Lady is the true terrestrial paradise of the New Adam, and the ancient paradise was but a figure of her” (True Devotion, #261). Like the Garden of Eden, our Blessed Lady is, in herself, abundantly fruitful, overflowing with every form of riches, beauties, and sweetness.

Just like Mary, we are all called to be Carmels—fruitful vineyards for God. Through the work of prayer and contemplation, we, too, can bear fruit for the Lord and for those around us. By learning from Our Lady’s example, we may even bring forth that most blessed fruit: Jesus, Himself.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It is frightful even to think there are children, victims of abortion, who will never see the light of day.

— Pope Francis (13 January 2014)

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