Views from the Choir Loft

The UBI CARITAS chant for Holy Thursday

Jeff Ostrowski · April 5, 2012

Here are six (6) different free versions of the “Ubi Caritas” for Holy Thursday. It will be noted that the Simple English Propers and Simple English Psalm Tones versions use the English translation found in Roman Missal, 3rd Edition.

Click here to download this PDF file.

Free Sacred Resources for Holy Thursday, Year B has a whole bunch more free resources, including the Pange Lingua.

Offertory (1 John 2: 3-4)

Ant. Ubi cáritas et amor, Deus ibi est.
OR:
Ant. Ubi cáritas est vera, Deus ibi est.

1. Congregávit nos in unum Christi amor.
2. Exsultémus et in ipso jucundémur.
3. Timeámus et amémus Deum vivum.
4. Et ex corde diligámus nos sincéro. Ant.

5. Simul ergo cum in unum congregámur:
6. Ne nos mente dividámur, caveámus.
7. Cessent júrgia malígna, cessent lites.
8. Et in médio nostri sit Christus Deus. Ant.

9. Simul quoque cum beátis videámus
10. Gloriánter vultum tuum, Christe Deus:
11. Gáudium, quod est imménsum atque probum.
12. Saécula per infiníta sæculórum. Amen.

Ant. Where charity and love are, there is God.
OR:
Ant. Where love is found to be authentic, God is there.

1. The love of Christ has gathered us together into one.
2. Let us rejoice and be glad in Him.
3. Let us fear and love the living God,
4. and love each other from the depths of our heart. Ant.

5. Therefore when we are together,
6. let us take heed not to be divided in mind.
7. Let there be an end to bitterness and quarrels, an end to strife,
8. and in our midst be Christ our God. Ant.

9. And, in company with the blessed,
10. may we see your face in glory, Christ our God:
11. pure and unbounded joy
12. for ever and for ever. Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed