Views from the Choir Loft

The UBI CARITAS chant for Holy Thursday

Jeff Ostrowski · April 5, 2012

Here are six (6) different free versions of the “Ubi Caritas” for Holy Thursday. It will be noted that the Simple English Propers and Simple English Psalm Tones versions use the English translation found in Roman Missal, 3rd Edition.

Click here to download this PDF file.

Free Sacred Resources for Holy Thursday, Year B has a whole bunch more free resources, including the Pange Lingua.

Offertory (1 John 2: 3-4)

Ant. Ubi cáritas et amor, Deus ibi est.
OR:
Ant. Ubi cáritas est vera, Deus ibi est.

1. Congregávit nos in unum Christi amor.
2. Exsultémus et in ipso jucundémur.
3. Timeámus et amémus Deum vivum.
4. Et ex corde diligámus nos sincéro. Ant.

5. Simul ergo cum in unum congregámur:
6. Ne nos mente dividámur, caveámus.
7. Cessent júrgia malígna, cessent lites.
8. Et in médio nostri sit Christus Deus. Ant.

9. Simul quoque cum beátis videámus
10. Gloriánter vultum tuum, Christe Deus:
11. Gáudium, quod est imménsum atque probum.
12. Saécula per infiníta sæculórum. Amen.

Ant. Where charity and love are, there is God.
OR:
Ant. Where love is found to be authentic, God is there.

1. The love of Christ has gathered us together into one.
2. Let us rejoice and be glad in Him.
3. Let us fear and love the living God,
4. and love each other from the depths of our heart. Ant.

5. Therefore when we are together,
6. let us take heed not to be divided in mind.
7. Let there be an end to bitterness and quarrels, an end to strife,
8. and in our midst be Christ our God. Ant.

9. And, in company with the blessed,
10. may we see your face in glory, Christ our God:
11. pure and unbounded joy
12. for ever and for ever. Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

PDF Download • “Offertory” for this Sunday

This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.

—Jeff Ostrowski

Why A “Fugue” Here?

I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!

—Jeff Ostrowski

“Reminder” — Month of October (2025)

Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski