The Vatican II Hymnal • Old Website

The Vatican II Hymnal • Old Website

Corpus Christi Watershed · June 1, 2014

The Saint Jean de Brébeuf Hymnal is available!

* Jean de Brébeuf Hymnal • PURCHASE LINK

Purchase yours today!

Some Quick Facts:

* PDF Download • SEASONAL INDEX
(For personal use, uploaded by Veronica Moreno)

* PDF Download • COMPLETE INDICES
(Material from the Saint Jean de Brébeuf Hymnal)

* PDF Download • SNIPPETS INDEX (8,000 entries)
—Please be patient as this massively helpful page loads!

* Instructional Video • YOUTUBE
(“Using the Brébeuf Index Correctly”)

* YouTube Video • “Most Catholic Indexes”
—This shows the rationale behind the Brébeuf indices.

* CCWatershed Article • ORGAN ACCOMP.
(Additional info Re: the Organ Accompaniment volumes)

* PDF Download • ADDITIONAL ARTICLES
(Ten articles about the Saint Jean de Brébeuf Hymnal)

* Blog Article • SOURCE MATERIAL
(Many of the old Catholics hymnals we scanned can be downloaded here)

* PDF Download • EXECUTIVE SUMMARY
(Salient points about this hymnal on a single sheet)

* Photographs • CHORAL SUPPLEMENT
(The Brébeuf Choral Supplement has started to arrive in mailboxes!)

* PDF • “What People Are Saying”
(Testimonials from Catholics in the pews.)

* PDF • “What Experts Are Saying”
(Testimonials from authorities on Sacred Music.)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

2-Voice Arr. • “Creator of the Starry Height”

Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”

—Jeff Ostrowski

“Equal Voices” Choir Pieces

My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!

—Jeff Ostrowski

Typo in the “Missale Romanum” (1962)

The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]

—Jeff Ostrowski

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski