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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Richard J. Clark

Richard J. Clark · January 14, 2013

ICHARD J. CLARK is an eclectic musician—composer, conductor, organist, pianist, and songwriter. In 2018, he was named as the Director of Music for the Archdiocese of Boston and choirmaster at the Cathedral of the Holy Cross. He previously served for twenty-eight years as Music Director and Organist at St. Cecilia Parish, where he oversaw a thriving music program and helped develop the Smith and Gilbert Organ of six divisions and fifty-four ranks. He continues as Chapel Organist (Saint Mary’s Chapel) at Boston College, where he has served since 2004. As performer and composer, his appearances include the Church of Saint-Eustache (Paris, France), the Basilica of the National Shrine of the Immaculate Conception (Washington D. C.), Eternal Word Television Network (EWTN), the Celebrity Series of Boston, Fenway Park (historic home of the Boston Red Sox), the New York Songwriters Circle, and Saint Patrick’s Cathedral (New York).

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The Ministry & Liturgy Magazine has called Mr. Clark’s music “transformative” as well as “expertly arranged and prayerfully sung.” His compositions have been broadcast on radio in New York, New England, and Europe, including Sounds from the Spires with Dr. Jennifer Pascual. In Russia, his organ work Ascent to Freedom was played by American virtuoso Mark Husey and the American Boychoir under the direction of Fernando Malvar-Ruiz. He also appears with his wife, clarinetist Kara Gretschel Clark, on the Cathedral Encores CD featuring the 1875 E. & G.G. Hook, opus 801, at the Cathedral of the Holy Cross. He also appears with trumpeter Richard Kelley in a recording of his Requiem pour une américaine à Paris. His liturgical, choral, and organ works are published by Lorenz/The Sacred Music Music Press, CanticaNOVA Publications, RJC Cecilia Music, Corpus Christi Watershed, and World Library Publications. Mæstro Clark is frequently chosen as presenter at international conferences such as the Sacred Music Symposium and the NPM Annual Convention.

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ORN in Greenwich Village, New York City, Mr. Clark grew up in Long Island at St. William the Abbott Parish. While studying as a chemistry major at New York University, he also studied piano and composition with Justin Dello Joio. He received his Bachelor’s Degree at the Berklee College of Music in 1991 where he studied jazz piano and composition. He studied organ with James David Christie. In 1997 he completed his Master of Music Degree from the Boston Conservatory, and was elected to the National Music Honor Society, Pi Kappa Lambda. He currently lives with his wife and four children in Milton, Massachusetts where they are parishioners at St. Agatha Parish. To reach Richard J. Clark via Email, please click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Tagged With: Catholic Composers Last Updated: August 20, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

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