• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Pew Book • Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary

Pew Book • Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary

To view sample pages, scroll
to the bottom of this page!

OPHIA PRESS INSTITUTE offers an exciting pew book for Ordinary Form which fulfills “the true liturgical vision of the Vatican II fathers.” This book is intended for the pews wherever Ordinary Form Masses are offered. By exploring the resources below, you can view sample pages, read reviews, and learn about the various elements that make this book’s 832 pages so unique. The official title is SAINT ISAAC JOGUES ILLUMINATED MISSAL, LECTIONARY, & GRADUAL, but it’s usually referred to as “The Jogues Missal.” This pew resource will last until the new Lectionary for the United States is released—which is scheduled to arrive in 2028.

*  Purchase • Jogues Illuminated Missal
—Contact SOPHIA INSTITUTE PRESS for bulk discount rates.


Questions?

Please contact Sophia Institute Press with questions about this excellent pew book.

+ Fact Sheet (PDF) • Overview on a single sheet of paper.

+ Special Home Video • How to open & use this book.

+ Table of Contents (PDF) • Familiarize yourself with the contents of this book.

+ Preface (PDF) • Should the Vatican II Gradual matter for today’s Catholics?

+ Congregational Mass Setting • Scores & Videos for organist, cantor, and SATB choir.

+ Gospel Acc. (1st Tune) • Download or buy all 172 pages!

+ Gospel Acc. (2nd Tune) • Download or buy all 172 pages!

+ Responsorial Psalms • Download or buy all 607 pages!

76855-Saint-Isaac-Jogues-Illuminated-Missal-Gradual-Lectionary
76858-Saint-Isaac-Jogues-Illuminated-Missal-Gradual-Lectionary
76857-Saint-Isaac-Jogues-Illuminated-Missal-Gradual-Lectionary

Essays & Reviews about the Jogues Missal

JOGUES REVIEW : Fr. Brent Maher

JOGUES REVIEW : Dallas Area Catholic (Blog)

JOGUES REVIEW : Christine Sarti

JOGUES REVIEW : New Liturgical Movement

JOGUES REVIEW : Fr. Alan M. Guanella

JOGUES REVIEW : Fr. Jay Finelli

JOGUES REVIEW : John Sonnen

JOGUES REVIEW : Susan Benofy (ADOREMUS)

JOGUES REVIEW : Melanie Bettinelli

JOGUES REVIEW : Daniel Craig

Essay 1 • Which antiphon translations are approved by the Church?
Essay 2 • How long will our current Lectionary translations last?
Essay 3 • Documentation on why Missal antiphons don’t always match the Gradual.
Essay 4 • The purpose of “sung” vs. “spoken” antiphons.
Essay 5 • Possibilities until the Sequences are revised by Liturgiam Authenticam.
Essay 6 • Musical collections of Propers in English.
Essay 7 • Clarity! • Missal vs. Gradual Text (Ordinary Form)

HE SAINT Isaac Jogues Illuminated Missal—now available from Sophia Institute Press—is for parishes seeking to move their community toward a more elevated, solemn, beautiful, and traditional celebration of the Ordinary Form of the Roman Rite. Designed to replace flimsy, disposable missalettes, the Jogues Missal brings together the rich texts of the Entrance, Gradual, Offertory and Communion chants along with the readings of the Lectionary, including responsorial psalms and Gospel acclamations. The Missal encompasses all Sundays, Holy Week, special solemnities, funerals, weddings, confirmations, and Benediction of the Blessed Sacrament. The preeminent highlight of the Missal, however, is the ORDO MISSAE, featuring full-color photographs portraying the various parts of the Mass. Sidebar explanations serve as a mini-treatise on the Mass, reminding the faithful that the Holy Eucharist is “the source and summit of the Christian life.”

*  Purchase • Jogues Illuminated Missal
—Contact SOPHIA INSTITUTE PRESS for bulk discount rates.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.