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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Help! What does Fr. Deryck Hanshell mean?

Jeff Ostrowski · August 23, 2013

463 General Inst. HANT CAFE has quoted the USCCB Secretariat of Divine Worship on 18 February 2012 saying that the GIRM “never speaks to every possible scenario that could take place” but only the “normative practice.”

If you don’t know what the “GIRM” is, download this 2011 version:   2011 Copy of the GIRM

As you read the rest of this article, please remember this 18 February 2012 statement.

REV. DERYCK HANSHELL (†1994) was an impressive Jesuit priest. Among other things, he served as master of Campion Hall (Oxford), Chairman of the Association for English Worship, assistant editor of a famous Jesuit magazine (The Month), and was associated with the papal nunciature in London. Here are several of his wonderful articles:

      * *  Several Articles by Fr. Deryck Hanshell • From Sacred Music Journal

While much of what he says is wonderful, I have some questions:

1st Question:   Why does Fr. Hanshell instruct the priest to stand “in front of the Altar, with his back to the people” for the beginning of Mass? The Roman Missal, the GIRM (#50), and Bishop Peter J. Elliott say the priest begins Mass “at the chair” (and, presumably, stays there fore what follows). Fr. Hanshell says the priest should go to the chair for the Collect.

2nd Question:   Why does Fr. Hanshell say that the Collect can be read from the Altar?

3rd Question:   Why does Fr. Hanshell say the priest should bow at the Confiteor?

4th Question:   Why does Fr. Hanshell say the priest should stand “in front of the Altar, with his back to the people” for the Creed? Bishop Peter J. Elliott says the priest stands at the chair for the Creed. (The GIRM and the Roman Missal don’t say where the priest should stand, as far as I can tell.)

5th Question:   Can anyone explain the reason why Fr. Hanshell says the following? “Readings need not be taken from the Jerusalem or modern American versions. The Revised Standard or the Douai are at least to be preferred.”

BY THE WAY, be careful when reading Fr. Hanshell’s articles, because sometimes he’s suggesting certain rubrics be changed. Here are some excerpts to back up what I mentioned above:

Page 3:   The priest standing (and bowing) before the altar for the penitential rite, his proceeding to the ambo, his going up to the altar: all this is eloquent of what is being done; and not least would it be so were he to go in procession to the pulpit.

Page 4:   The priest having ascended to the altar and kissed it, turns round, descends from the altar or takes a few paces away from it, turns to the altar again, bows deeply, and making the sign of the cross says “In the name of the Father” etc. Bowing again slightly the priest then turns to the people and greets them with “The Lord be with you” or one of the alternatives, following this with the Fratres agnoscamus. [ … ] Turning again to the altar and bowing deeply the priest then begins the Confiteor (if he is following this form of the penitential rite). He straightens up for the absolution (so called), and then follows the Kyrie recited in the same position and the Gloria if it is to be said. It seems appropriate that for the acts of penitence and adoration in this part of the Mass the priest should adopt the position here outlined. He can then go to the chair for the recitation of the collect. The server should hold the book which otherwise will have to be placed on a lectern: it is uncouth for the priest to hold it himself and this also prevents his extending his hands as he should do. Or else, though less suitably, the collect can be read from the altar.

[ … ]

Page 5:   It adds somewhat to the solemnity if the priest goes to the center in front of the altar and faces it for the creed, if this is to be said. All should bow deeply at the Incarnatus est except on the feasts of the Annunciation and the Nativity when all genuflect.

[ … ]

Page 5:   The priest then takes his position before the altar as at the opening of Mass, bows (slightly) and proceeds to his place at the altar for the offertory.

[ … ]

Page 9:   Not all perhaps will agree with all that has been said here, but if nevertheless it contributes to a more thorough awareness of what celebrating Mass entails it will have served its purpose.

Page 12:   In general, the order of Mass as we now have it, is to be seen as a modification of the previous order and not as something “new.” As was earlier suggested, the revised Mass is a later edition of the same western Mass (in its Roman form). The tendency has been to highlight where the present Mass differs from what went before, while minimizing what remains unchanged. We need to reverse this tendency. In emphasizing the present rite’s continuity with the previous one, such details as the use of the chalice veil should not be ignored.

Page 20:   I think the time is arriving when some of the old rubrics and gestures too hastily discarded will be brought back. Meanwhile it is for us surely to make the most of what is at present laid down. The principal ceremonies of the Mass have by no means been abrogated, though some have been modified. For instance in the creed we are to bow instead of (except on two occasions) genuflecting. The result is that ordinarily nobody does anything. It would help perhaps if priests made a proper bow and not just a slight inclination, and if they turned towards the altar when they did so. To stand before the altar facing it and with their backs to the people for the creed, and for the Confiteor at the beginning of Mass, bowing deeply for the appropriate periods would be better still.

[ … ]

Page 24:   They don’t have to be in the Jerusalem version or any modification of it. The Revised Standard Version is at least to be preferred.

[ … ]

Page 24:   Care to bow to the altar for the Confiteor and at the Incarnatus est, if indeed genuflection at the latter point should not be speedily and authoritatively reintroduced.

[ … ]

Page 26:   Readings need not be taken from the Jerusalem or modern American versions. The Revised Standard or the Douai are at least to be preferred.

[ … ]

Page 26:   Care should be taken to bow to the altar for the Confiteor and at the Et incarnatus est, if indeed genuflection at the latter point should not be speedily and authoritatively re-introduced.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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