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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Wasilewski: “Evil” to Remove Pachamama Idols

Jeff Ostrowski · November 30, 2019

80721 observer OU HAVE probably heard about the fertility idols which Alexander Tschugguel threw into the river in Rome. Some have tried to defend their use; e.g. Blase Cardinal Cupich said the church has “always adopted pagan elements in its traditions and especially its liturgical rites”—but Cardinal Cupich is not telling the truth, because such things were allowed only after the pagan associations had faded away or become neutral. 1

Father Kenneth Wasilewski (who, I have no doubt, is a good and decent priest) recently published an article which is deeply flawed.

Here is an excerpt:

Vatican Theft and the Seventh Commandment

By Father Kenneth Wasilewski

A few weeks ago, there was a news story involving the Vatican and the theft and attempted destruction of some statues relating to the indigenous people of the Amazon. […] The theft, and the attempted destruction, were videoed by the perpetrators who then made the videos public. The reactions to these events were mixed. Some saw these actions as semi-heroic. Most, however, seemed to see them as a form of vigilantism involving theft and vandalism. This case is filled with several moral issues. However, in keeping with my ongoing discussion of the Seventh Commandment, I will limit my discussion to just a few that deal more directly with that commandment. To that end, the most obvious issue is rather black and white. It is undisputedly an act of theft. The person(s) in question had no right to take and attempt to destroy the statues even though they found them offensive and inappropriate. The fact that someone judges something to be inappropriate doesn’t give them license to do what they want with someone else’s property. This particular act of theft was compounded by the fact that it took place in a church. Interestingly, in the video of the crime, the thief is seen genuflecting upon entering and leaving the church. Presumably, this was done as a sign of reverence to Jesus present in the Blessed Sacrament. However, it’s a rather twisted logic that offers God reverence while directly transgressing one of God’s commandments. […] If the thieves believed it good that these statues never be seen again, then their actions achieved precisely the opposite effect.


Father Kenneth Wasilewski is wrong for three reasons:

(1) When Catholics see certain things displayed in a Church—such as fertility idols or pornography—we have a duty to remove such items. Period.

(2) Catholic Churches do not belong to one priest, one nun, or any particular cleric. This is our Church—every one of us. Period.

(3) “Theft” has nothing to do with what we are talking about—when it comes to removing idols and/or pornography from a Catholic Church. Period.

On 25 October 2019, Gerhard Cardinal Müller, former head of the Holy Office, reminded Catholics it was not sinful to remove those fertility idols from the Catholic Church:

“The great mistake was to bring the idols into the Church, not to put them out; because according to the Law of God Himself—the First Commandment—idolatry is a grave sin and not to mix them with the Christian liturgy.”

F SOMEBODY places pornography in the church where little children can see it, Catholics have an obligation to remove that pornography. Father Wasilewski is wrong to call such a thing “theft.” Respect for the 7th Commandment has nothing to do with removing idols and/or pornography from Catholic Churches. Once they were removed, what was Alexander Tschugguel supposed to do with them? Giving them to another human would be, in a certain sense, encouraging or endorsing idol worship. Alexander Tschugguel made the decision to place them in a river. Perhaps he should have burned them, but who are we to judge his decision?

By the way, these fertility idols were also pornographic; they depicted nude women. (The official spokesman for the synod made clear 2 they did not depict our Lady.) Father Wasilewski has an obligation to publicly apologize for his article as quickly as possible, so that scandal can be minimized.

A bizarre cause for hope.

Seeing toleration for pagan idols by Church leaders is quite discouraging to faithful Catholics. But I suspect their motives have nothing to do with paganism. Instead, it is a surrender to the current culture, which worships so-called “multiculturalism” and “tolerance” of certain “pluralism” fads. Certainly their surrender is indefensible and shameful—but its root cause is a desire for adulation and praise by the world. I don’t think it’s ultimately about paganism. For some bizarre reason, that makes it less sad to me.



NOTES FROM THIS ARTICLE:

1   The pipe organ is a typical example. After its pagan associations had faded away, it was no longer forbidden for use in the Catholic Church.

2   Father Giacomo Costa (a communications official for the Amazon synod) said that a wooden figure of a nude pregnant woman, which has been present at events related to the synod, is not the Virgin Mary, but is instead a female figure representing life. “It is not the Virgin Mary, who said it is the Virgin Mary?” Costa said at a press conference for the Amazon synod on 16 October 2019.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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