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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Fr. Wasilewski: “Evil” to Remove Pachamama Idols

Jeff Ostrowski · November 30, 2019

80721 observer OU HAVE probably heard about the fertility idols which Alexander Tschugguel threw into the river in Rome. Some have tried to defend their use; e.g. Blase Cardinal Cupich said the church has “always adopted pagan elements in its traditions and especially its liturgical rites”—but Cardinal Cupich is not telling the truth, because such things were allowed only after the pagan associations had faded away or become neutral. 1

Father Kenneth Wasilewski (who, I have no doubt, is a good and decent priest) recently published an article which is deeply flawed.

Here is an excerpt:

Vatican Theft and the Seventh Commandment

By Father Kenneth Wasilewski

A few weeks ago, there was a news story involving the Vatican and the theft and attempted destruction of some statues relating to the indigenous people of the Amazon. […] The theft, and the attempted destruction, were videoed by the perpetrators who then made the videos public. The reactions to these events were mixed. Some saw these actions as semi-heroic. Most, however, seemed to see them as a form of vigilantism involving theft and vandalism. This case is filled with several moral issues. However, in keeping with my ongoing discussion of the Seventh Commandment, I will limit my discussion to just a few that deal more directly with that commandment. To that end, the most obvious issue is rather black and white. It is undisputedly an act of theft. The person(s) in question had no right to take and attempt to destroy the statues even though they found them offensive and inappropriate. The fact that someone judges something to be inappropriate doesn’t give them license to do what they want with someone else’s property. This particular act of theft was compounded by the fact that it took place in a church. Interestingly, in the video of the crime, the thief is seen genuflecting upon entering and leaving the church. Presumably, this was done as a sign of reverence to Jesus present in the Blessed Sacrament. However, it’s a rather twisted logic that offers God reverence while directly transgressing one of God’s commandments. […] If the thieves believed it good that these statues never be seen again, then their actions achieved precisely the opposite effect.


Father Kenneth Wasilewski is wrong for three reasons:

(1) When Catholics see certain things displayed in a Church—such as fertility idols or pornography—we have a duty to remove such items. Period.

(2) Catholic Churches do not belong to one priest, one nun, or any particular cleric. This is our Church—every one of us. Period.

(3) “Theft” has nothing to do with what we are talking about—when it comes to removing idols and/or pornography from a Catholic Church. Period.

On 25 October 2019, Gerhard Cardinal Müller, former head of the Holy Office, reminded Catholics it was not sinful to remove those fertility idols from the Catholic Church:

“The great mistake was to bring the idols into the Church, not to put them out; because according to the Law of God Himself—the First Commandment—idolatry is a grave sin and not to mix them with the Christian liturgy.”

F SOMEBODY places pornography in the church where little children can see it, Catholics have an obligation to remove that pornography. Father Wasilewski is wrong to call such a thing “theft.” Respect for the 7th Commandment has nothing to do with removing idols and/or pornography from Catholic Churches. Once they were removed, what was Alexander Tschugguel supposed to do with them? Giving them to another human would be, in a certain sense, encouraging or endorsing idol worship. Alexander Tschugguel made the decision to place them in a river. Perhaps he should have burned them, but who are we to judge his decision?

By the way, these fertility idols were also pornographic; they depicted nude women. (The official spokesman for the synod made clear 2 they did not depict our Lady.) Father Wasilewski has an obligation to publicly apologize for his article as quickly as possible, so that scandal can be minimized.

A bizarre cause for hope.

Seeing toleration for pagan idols by Church leaders is quite discouraging to faithful Catholics. But I suspect their motives have nothing to do with paganism. Instead, it is a surrender to the current culture, which worships so-called “multiculturalism” and “tolerance” of certain “pluralism” fads. Certainly their surrender is indefensible and shameful—but its root cause is a desire for adulation and praise by the world. I don’t think it’s ultimately about paganism. For some bizarre reason, that makes it less sad to me.



NOTES FROM THIS ARTICLE:

1   The pipe organ is a typical example. After its pagan associations had faded away, it was no longer forbidden for use in the Catholic Church.

2   Father Giacomo Costa (a communications official for the Amazon synod) said that a wooden figure of a nude pregnant woman, which has been present at events related to the synod, is not the Virgin Mary, but is instead a female figure representing life. “It is not the Virgin Mary, who said it is the Virgin Mary?” Costa said at a press conference for the Amazon synod on 16 October 2019.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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