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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Chant any Psalms and Antiphons

Veronica Brandt · July 13, 2019

E ALL NEED TO PRAY MORE. Liturgical Prayer isn’t confined to the Holy Sacrifice of the Mass. For centuries saints of all stripes have sung the Psalms throughout the day. At first it would take years to memorize the psalms. Then came the Printing Press. Now we have online tools which provide the psalms notated, ready to sing!

This tutorial will help you on any occasion when you would like to sing a psalm in the style of the Liber Usualis and Antiphonale and other liturgical books from last century. This still assumes you can read square notes. If this is an issue, you might like to read An Idiot’s Guide to Square Notes by Arlene Oost-Zinner and Jeffrey Tucker.

First step is to find your psalm. You may have a printed copy of your Office of choice, or you may access the amazing riches of the website: Divinum Officium. Take note of the Psalm Number.


Divinum Officium Screenshot

Usually a psalm is preceded by an Antiphon in Latin. Take note of the first few words then head over to that amazing database of chant that is GregoBase. You can find your antiphon “by incipit” – you may have to scroll a bit through all the pieces starting with the same letter. Yellow boxes signify Antiphons.


Gregobase Scores

Notice each Antiphon has a Mode Number, usually appearing above the Big Drop Cap at the beginning of the Antiphon. It should be a number from 1-8, possibly followed by a letter. This describes the flavour of the antiphon so that the psalm tone tune can be chosen to match.

Now open yet another tab, this time with the tremendous Psalm Tone Tool.


Psalm Tone Tool with Marks

Select your Psalm from the drop down menu on the right. That menu defaults to the Magnificat – there are quite a few more Canticles in the collection for when you need them. Select your Mode on the left – there are modifications to most numbers named after the letter name of the ending note, taking Do as C. I’ve managed thus far without knowing how these variations are determined – some antiphons will specify which variation – ask your superior (and if you don’t have a superior, then it probably doesn’t matter too much.)

When everything seems to be in place, hit the “Hide Editor” link in the lower part of the screen. If all has gone according to plan, you should see the psalm all laid out ready to chant! With the Antiphon from GregoBase open in another Tab, you’re all set to sing!

Is this helpful to you? Drop us a comment on the Facebook comments, or contact me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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