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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Symposium 2019 • “Video Outtakes”

Jeff Ostrowski · August 16, 2019

IKE EVERYONE ELSE, I have my own personal struggles: spiritual, physical, financial, and so forth. I have bad days, like everybody else. But something I like to call to mind—which gives me joy—is the very special “week.” When I refer to “the week,” I’m referencing the Sacred Music Symposium, which is a very happy week that occurs each year. During difficult moments, I often recall the beautiful memories, bringing a smile to my face. Regarding this year’s Symposium, I wish I could express in a particular way my thanks to Andrea, Kevin, Richard, and Alfred for what they did. I’ve tried to express my gratitude to them, but I doubt they know how very special it was—happy memories I shall never forget.

God-willing, we will eventually post the professional audio recordings, as well as the marvelous testimonials from the participants. I say “God-willing” because we can never know the future; today might be my last day on earth. Only the Lord knows.

Until we get the professional recordings posted,
please enjoy the iPhone snippets below!

Maestro Clark, who just travelled across the entire United States, steps off his plane and begins rehearsing a brand new “Ave Maria,” written specifically for the First Mass of Fr. Luc Poirier, FSSP:


Dr. Calabrese rehearsing the Magnificat by Guerrero, in spite of the bells ringing:


Maestro Clark rehearsing part of the Benedictus shortly before the First Mass of Fr. Luc Poirier:


Dr. Calabrese rehearsing what is probably my favorite part of the Palestrina Kyrie, viz. the “Christe” section:


Friends from Las Vegas preparing to teach a course on multi-track recordings:


Dr. Calabrese rehearsing part of the Palestrina Kyrie:


Maestro Clark rehearsing part of the Palestrina Benedictus:


The theme of this year’s conference was “Roman Catholic Hymnody,” and in this clip we sight-read a hymn text by Fr. Dominic Popplewell, FSSP. The pieces in the Brébeuf hymnal are “simple”—for the average choir—but profoundly rewarding to sing:


Alongside the Sacred Music Symposium, Fr. James Fryar, FSSP, always runs an altar server camp with help from FSSP seminarians:


The Symposium is a place where literally anything can happen. Here are two famous church musicians just walking around talking:


This is a short excerpt from Dr. Calabrese’s conducting clinics, which are very much in demand:


After a long day of classes, rehearsals, Mass, Solemn Vespers, and so forth, we always closed with a beautiful setting of a hymn by Cardinal Newman. The sheet music will be available soon:


The Sacred Music Symposium has become the preëminent conference on Church music the world over. I can’t think of any other sacred music conference that approaches what we do. I think we gained this reputation by avoiding the “trap” into which too many conferences fall. We give valuable instruction the people can take home with them; we don’t just sing the entire time. That being said, we do an awful lot of singing:


Here’s a clip of participants walking to the Chapel to rehearse:


During Sacred Music Symposium 2019, we sight-read tons of SATB hymns from the Brébeuf hymnal. Here is an example:


A few photographs. The final one, where I am with a young lady in a yellow (orange?) shirt, was taken the very first day of the Symposium:

82950 Sacred Music Symposium 82952 faculty 82953 Sacred Music Symposium 82954 Sacred Music Symposium 82955 Sacred Music Symposium 82956 Sacred Music Symposium 82957 Sacred Music Symposium 82598 Sacred Music Symposium 82982-beginning-day-POINTS
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 17, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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