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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Symposium 2019 • “Video Outtakes”

Jeff Ostrowski · August 16, 2019

IKE EVERYONE ELSE, I have my own personal struggles: spiritual, physical, financial, and so forth. I have bad days, like everybody else. But something I like to call to mind—which gives me joy—is the very special “week.” When I refer to “the week,” I’m referencing the Sacred Music Symposium, which is a very happy week that occurs each year. During difficult moments, I often recall the beautiful memories, bringing a smile to my face. Regarding this year’s Symposium, I wish I could express in a particular way my thanks to Andrea, Kevin, Richard, and Alfred for what they did. I’ve tried to express my gratitude to them, but I doubt they know how very special it was—happy memories I shall never forget.

God-willing, we will eventually post the professional audio recordings, as well as the marvelous testimonials from the participants. I say “God-willing” because we can never know the future; today might be my last day on earth. Only the Lord knows.

Until we get the professional recordings posted,
please enjoy the iPhone snippets below!

Maestro Clark, who just travelled across the entire United States, steps off his plane and begins rehearsing a brand new “Ave Maria,” written specifically for the First Mass of Fr. Luc Poirier, FSSP:


Dr. Calabrese rehearsing the Magnificat by Guerrero, in spite of the bells ringing:


Maestro Clark rehearsing part of the Benedictus shortly before the First Mass of Fr. Luc Poirier:


Dr. Calabrese rehearsing what is probably my favorite part of the Palestrina Kyrie, viz. the “Christe” section:


Friends from Las Vegas preparing to teach a course on multi-track recordings:


Dr. Calabrese rehearsing part of the Palestrina Kyrie:


Maestro Clark rehearsing part of the Palestrina Benedictus:


The theme of this year’s conference was “Roman Catholic Hymnody,” and in this clip we sight-read a hymn text by Fr. Dominic Popplewell, FSSP. The pieces in the Brébeuf hymnal are “simple”—for the average choir—but profoundly rewarding to sing:


Alongside the Sacred Music Symposium, Fr. James Fryar, FSSP, always runs an altar server camp with help from FSSP seminarians:


The Symposium is a place where literally anything can happen. Here are two famous church musicians just walking around talking:


This is a short excerpt from Dr. Calabrese’s conducting clinics, which are very much in demand:


After a long day of classes, rehearsals, Mass, Solemn Vespers, and so forth, we always closed with a beautiful setting of a hymn by Cardinal Newman. The sheet music will be available soon:


The Sacred Music Symposium has become the preëminent conference on Church music the world over. I can’t think of any other sacred music conference that approaches what we do. I think we gained this reputation by avoiding the “trap” into which too many conferences fall. We give valuable instruction the people can take home with them; we don’t just sing the entire time. That being said, we do an awful lot of singing:


Here’s a clip of participants walking to the Chapel to rehearse:


During Sacred Music Symposium 2019, we sight-read tons of SATB hymns from the Brébeuf hymnal. Here is an example:


A few photographs. The final one, where I am with a young lady in a yellow (orange?) shirt, was taken the very first day of the Symposium:

82950 Sacred Music Symposium 82952 faculty 82953 Sacred Music Symposium 82954 Sacred Music Symposium 82955 Sacred Music Symposium 82956 Sacred Music Symposium 82957 Sacred Music Symposium 82598 Sacred Music Symposium 82982-beginning-day-POINTS
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 17, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The conciliar norms regarding reform of the liturgy have given the choir’s function greater prominence and importance. The choir is responsible for the correct performance of the parts that belong to it…”

— “Musicam Sacram” (5 March 1967)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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