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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

21 Thoughts • “Exterior Actions at Mass”

Corpus Christi Watershed · September 10, 2018

87651 • Fr Christopher Smith PRINCE OF PEACE TAYLORS ATHER Christopher Smith recently preached a homily that begs of you a listen—challenging the faithful to manifest their love of God in their exterior actions at the Mass. A few prompts for prayerful reflection are adapted from the homily below as you discern, “What would a non-Catholic Christian see from our example if they watched us in the Church at Mass?”

1. Do we see Sunday as a joyful occasion that we have the privilege to participate in as sons and daughters of Christ?

2. Is Sunday special—different from all other days?

3. Do we dress for Mass not by putting on whatever clothes happen to be available, but by dressing outwardly and inwardly for the wedding feast of the Lamb?

4. Do we realize each one of us was created by God to worship Him and that all time belongs to Him? Or, do we begrudge Him one hour of our week for Mass?

5. Do we arrive early for Mass to pray, focus and prepare for the most important thing we do each week? Or, are we running around like a chicken with its head cut off sailing into Mass distracted and not ready to pray? [families with children, we understand this is not always feasible]

6. Mass is not a spectator sport. The fruitfulness of the Mass within us depends on the disposition of our heart that we bring to it. We have to choose to engage it by disciplining our wandering minds by focusing on every word, gesture and ceremony of the Mass.

7. Are we watching the Mass with eyes of faith?

8. Are we listening to Mass with ears and hearts open to the truth proclaimed in the readings and prayers?

9. Are we tasting with devotion and reverence of the holy Eucharist?

10. Are we grasping the sacred by crossing ourselves, kneeling, bowing, genuflecting, standing and sitting not just because it is a ritual, but with purpose and love?

11. Are we smelling the incense, candles, flowers—the Church itself? Do we engage our entire bodies in worship—all five (5) senses—or do we just sit there and wait it out?

12. When we come into Church, do we plunge our hands into the Holy water font and remind ourselves that we were signed, sealed and delivered by our baptism and confirmation as children of God and heirs to heaven?

13. Do we genuflect by going all the way down on our right knee slowly as a sign of adoration to Christ as King who reigns from the throne of love in the tabernacle?

14. Do we put aside all earthly cares before Mass, get into a zone of prayer and enter a space of worship?

15. Do we carefully observe silence before and after Mass? Do we remember that this Church is the gate of Heaven and the only person to whom we should be speaking is to God?

16. Do we say the responses clearly and distinctly? Or, do we mumble?

17. Do we sing the ordinary of the Mass and the hymns with the beautiful voice God gave us?

18. Gentlemen of the congregation—you are the priests of the domestic church. That means that your children and everyone else are looking for you to be a model or worship and prayer. What contrary witness do men give when not picking up the music sheet to sing or slouching and mumbling?

19. Do we bow upon the name of Jesus?

20. When we come up to Holy Communion, do we assume an attitude of reverence and devotion and then allowing ourselves to be fed by the Body of Christ?

21. Judas was the only one who left the Last Supper early. And, he did it to betray our Lord. Do not leave Mass early. If we can’t stand to be in Church for an hour a week, how will we spend eternity with God?


Text courtesy of this source.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

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