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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

21 Thoughts • “Exterior Actions at Mass”

Corpus Christi Watershed · September 10, 2018

87651 • Fr Christopher Smith PRINCE OF PEACE TAYLORS ATHER Christopher Smith recently preached a homily that begs of you a listen—challenging the faithful to manifest their love of God in their exterior actions at the Mass. A few prompts for prayerful reflection are adapted from the homily below as you discern, “What would a non-Catholic Christian see from our example if they watched us in the Church at Mass?”

1. Do we see Sunday as a joyful occasion that we have the privilege to participate in as sons and daughters of Christ?

2. Is Sunday special—different from all other days?

3. Do we dress for Mass not by putting on whatever clothes happen to be available, but by dressing outwardly and inwardly for the wedding feast of the Lamb?

4. Do we realize each one of us was created by God to worship Him and that all time belongs to Him? Or, do we begrudge Him one hour of our week for Mass?

5. Do we arrive early for Mass to pray, focus and prepare for the most important thing we do each week? Or, are we running around like a chicken with its head cut off sailing into Mass distracted and not ready to pray? [families with children, we understand this is not always feasible]

6. Mass is not a spectator sport. The fruitfulness of the Mass within us depends on the disposition of our heart that we bring to it. We have to choose to engage it by disciplining our wandering minds by focusing on every word, gesture and ceremony of the Mass.

7. Are we watching the Mass with eyes of faith?

8. Are we listening to Mass with ears and hearts open to the truth proclaimed in the readings and prayers?

9. Are we tasting with devotion and reverence of the holy Eucharist?

10. Are we grasping the sacred by crossing ourselves, kneeling, bowing, genuflecting, standing and sitting not just because it is a ritual, but with purpose and love?

11. Are we smelling the incense, candles, flowers—the Church itself? Do we engage our entire bodies in worship—all five (5) senses—or do we just sit there and wait it out?

12. When we come into Church, do we plunge our hands into the Holy water font and remind ourselves that we were signed, sealed and delivered by our baptism and confirmation as children of God and heirs to heaven?

13. Do we genuflect by going all the way down on our right knee slowly as a sign of adoration to Christ as King who reigns from the throne of love in the tabernacle?

14. Do we put aside all earthly cares before Mass, get into a zone of prayer and enter a space of worship?

15. Do we carefully observe silence before and after Mass? Do we remember that this Church is the gate of Heaven and the only person to whom we should be speaking is to God?

16. Do we say the responses clearly and distinctly? Or, do we mumble?

17. Do we sing the ordinary of the Mass and the hymns with the beautiful voice God gave us?

18. Gentlemen of the congregation—you are the priests of the domestic church. That means that your children and everyone else are looking for you to be a model or worship and prayer. What contrary witness do men give when not picking up the music sheet to sing or slouching and mumbling?

19. Do we bow upon the name of Jesus?

20. When we come up to Holy Communion, do we assume an attitude of reverence and devotion and then allowing ourselves to be fed by the Body of Christ?

21. Judas was the only one who left the Last Supper early. And, he did it to betray our Lord. Do not leave Mass early. If we can’t stand to be in Church for an hour a week, how will we spend eternity with God?


Text courtesy of this source.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

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