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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Success! • Sacred Music Retreat in Ohio

Guest Author · October 5, 2018

87423 John Schauble FEW SHORT MONTHS AGO, I had the privilege of taking part in a Sacred Music Retreat near Cincinnati, Ohio. Hosted by the Oratorian Community of Cincinnati, the retreat featured Msgr. Wadsworth as the spiritual presenter, along with Kevin Allen and Nick Lemme as the music presenters. Fifty choir members from around the country—California to Maryland, Minnesota to Texas—came together for four days of intense Liturgy in the Extraordinary Form.

In general terms, a retreat is an opportunity to immerse oneself in meditation over conferences proposed by the retreat master, to spend time in individual and group prayer, all while focused on some spiritual end. Often, the traditional retreat is virtually silent except the periods of vocal prayer, and the focus is typically on the relationship of one’s soul with the Creator.

    * *  “Live” Recording • Kevin Allen “Jesu Dulcis Memoria”

This was almost exactly the same…but completely and utterly different.

87414 mass INTENDED FOR liturgical Martha’s more than liturgical Mary’s, our retreat was designed to probe the dignity and value of being a member of the liturgical choir and the corresponding responsibilities inherent therein. Spiritual conferences examined the Liturgy, the Sanctification of Time, the nature of pontifical ceremonies. The rehearsals were acts of prayer that sought to give us the tools to better accomplish our purpose. The liturgies were meditations in which we fulfilled our role of increasing the honor and glory rendered to God through participation in the worship of the Church.

The schedule was…ambitious. Prime at 6:15am followed by short meditation and Mass. Six hours of rehearsals bookending two hours of spiritual conferences. Visits to the Blessed Sacrament and time for confessions. Compline at 9:00pm followed by Grand Silence. Fourteen liturgies over the span of four days including the three public pontifical liturgies of Saturday and Sunday, celebrated by Bp. Slattery. Immersion in what defines our very purpose as members of the choir. Within these liturgies, we had an intentional range of the very simple to the very solemn. Low Mass and Prime in recto-tone without cantors; simple sung Compline with cantors; Solemn Vespers and Solemn Mass; Pontifical Vespers, Pontifical Matins / Lauds of the Dead, and two Pontifical High Masses—we ran a full gamut of different liturgical functions to illustrate the rich diversity of the Extraordinary Form. Throughout, our focus was on perfection of effort over perfection of performance, although we worked diligently for the latter with the public liturgies—no easy feat given the amount of music involved.

87422 Kevin Allen Conducting Several of the participants described the retreat as transformational in how they view their role as liturgical musicians. Of course, different things resonated with different people. For some, the musical and liturgical pedagogy while for others, the spiritual conferences. For some, the techniques gleaned from working with outstanding master musicians that we had as presenters while for others, the chance to form relationships with other directors and choir members. Relationships not merely as friends with common purpose but ordered toward aiding one another in the task of increasing the honor and glory of God through our music.

Feedback from participants revolved around two key statements. The first was the surprise that many had at discovering the deep and profound spirituality simply from chanting the Divine Office over the course of the retreat. For many, the Divine Office was a unique experience, and the hours of Prime and Compline quite moving and meaningful. The other statement was the recognition that we need more events just like this! “When will the next retreat be held?” was a question I heard frequently in the last day or two.

    * *  Facebook Page • Sacred Music Retreat

If you’d like more information about the Sacred Music Retreat or other similar events in the future, please visit the above link to our Facebook page. From that page, there are links to recordings and pictures from the retreat. Other groups have discussed hosting similar retreats in the future, and we will post information as we are made aware. Some of you may be interested to know that we are “in discovery” regarding a Sacred Music Pilgrimage to Europe in 2023 (exclusively Extraordinary Form). We’ll continue to post information about that as we explore the options that are available to us.

I leave you with the two mottos that define purpose in our choir:

Ad maiorem Dei gloriam. Da mihi animas, cetera tolle.

[All] to the greater glory of God. Give me souls, take away the rest.


We hope you enjoyed this guest article by John Schauble.



Source of Information: Official Letter

Source of Images: J. Senneff Facebook Page

Source of Recordings:     01   •   02   •   03   •   04

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

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