Views from the Choir Loft

Sacred Music Symposium (2018)

Corpus Christi Watershed · June 3, 2018

HE SUCCESS of the Symposium has exceeded anything its founders could have hoped for. With great excitement and gratitude to God, we announce our third annual event, designed especially for (but certainly not limited to) choir directors. ¹

* * PDF Download • Testimonials from 2017|
* * PDF Download • OFFICIAL SCHEDULE for 2018

Read about what happened in 2018, and watch videos!

Not to be missed is marker 59:47 of the final Mass.

Each year we retain familiar faces while adding fresh faculty and events:

90451 Sacred Music Symposium 2018 • 2832 high

Full Resolution Poster : (PNG) • (PDF)

Excited about this 2018 event?

To receive your application, kindly email dom.mocquereau@gmail.com before the 31 March deadline. Space is limited. Thanks to a generous grant, the conference fee is just $85.00—in addition to the mandatory application fee. Purchasing the meal plan ($145) is recommended, so that you can enjoy a week of catered meals. During the same week, at the same location, the Priestly Fraternity of Saint Peter will be conducting an Altar Server training camp and private instruction for priests. (Information on these will be released soon.)

From the 2016 Symposium :

2016 • TESTIMONIALS from 2016|
2016 • REHEARSAL the first day|
2016 • REHEARSAL in the Church|
2016 • FINAL CEREMONY with Archbishop Gomez|
2016 • VIDEO PRESENATION explaining the goals

From the 2017 Symposium :

2017 • SLIDE SHOW|
2017 • REHEARSAL FOOTAGE|
2017 • ALLELUIA & IMPROVISATION|
2017 • HOSANNA “Live”

90283 • Los Angeles • Sacred Music Symposium 2017

90282 • Los Angeles • Sacred Music Symposium 2017

90281 • Los Angeles • Sacred Music Symposium 2017

Examples of faculty in past years: Dr. Alfred Calabrese, Dr. Lucas Tappan, Pete Avendaño, and Dr. Meaghan King.

All Symposium events will take place at St. Therese in Alhambra (1100 E Alhambra Rd, Alhambra, CA 91801) with its magnificent organ.

NOTES FROM THIS ARTICLE:

1 Those who aren’t professional musicians (but love singing) will take delight in learning from friendly conductors who are the world’s experts. Don’t let fear prevent you from attending!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Music List • (3rd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI