About this blogger:
Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and five children.
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"As the subject of the language of worship was discussed in the Council hall over the course of several days, I followed the process with great attention, as well as later the various wordings of the Liturgy Constitution until the final vote. I still remember very well how after several radical proposals a Sicilian bishop rose and implored the fathers to allow caution and reason to reign on this point, because otherwise there would be the danger that the entire Mass might be held in the language of the people — whereupon the entire hall burst into uproarious laughter."
— Alfons Cardinal Stickler (1997)

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PDF Download • “Easy Organ Interludes” (229 pages)
published 1 December 2018 by Veronica Brandt

85977 organist REAT ORGANISTS are few and far between. Many people are pressed into service as organists with little by way of training. Most advice centers around accompanying hymns, which is very valuable, but there are times when the organ needs to fill time without causing the more conscientious of the congregation to reach for their hymnals.

The Nova Organi Harmonia volumes are a great resource. When playing for a Sunday Extraordinary Form Mass I often play through the Asperges antiphon as an entrance. Many of the pieces can be played as organ interludes, but they are rather designed to accompany chant. Here’s a tip: instead of searching for “music for organ without pedals,” try searching for “music for Harmonium.” That’s how I came across the collection Orgelschatz, edited by J. A. Troppmann, which was sort of what I was looking for, and yet, not quite right—until I tried the seventh piece! This was credited to G. B. Fasolo from AD 1645.

Searching further yielded this work:

    * *  PDF Download • (AD 1645) Easy Organ Interludes (229 pages)

…They are shared thanks to a “Creative Commons” license, as you can see here. Yes, that’s right: 229 pages of renaissance liturgical organ for manuals! And here are just the hymns:

    * *  PDF Download • (AD 1645) Just the hymns (63 pages)

SCOURING THE PAGES, I find the piece that sparked my interest is the first verse of Proles de caelo prodiit—a hymn from the feast of St Francis of Assisi on page 55 of Pierre Gouin’s edition. The composer is a Franciscan priest, so it makes sense that this piece would be especially beautiful. LISTEN HERE.

Another piece is the second verse of Jesu Corona Virginum on page 52. LISTEN HERE.

One more sample from page 67. The book has verses from the Gloria for Missa Orbis Factor. I found the part entitled Cum sancto was quite smooth and easier—though I can still hear where I need more polish! LISTEN HERE.

Lastly, here’s a video of my set up for practising these pieces, this time with the Agnus Dei from Missa Cunctipotens Deus on page 91:

    * *  Watch me on Instagram

Making recordings of yourself is a great way to get feedback as well as generating the nervous energy to simulate playing in public. I still have a long way to go, but I’m very happy to have found this book. I’m all ears for any further tips!