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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sunday Vespers”

Jeff Ostrowski · August 7, 2018

AST SUNDAY, we began singing Sunday Vespers. From now on, we will do this each week as a parish. Vespers is actually pretty complicated if one remembers to place in all the rubrics, starting pitches, parallel translations, and so forth. I find my solution fully adequate…but quite ugly.

UPDATE (21 September 2020):

Mr Bloomfield has solved all these problems!

*  PDF Download • “Vespers for Sundays & Holy Days”
—465-page booklet can be downloaded or purchased.

Each week, I will think about how I can make the booklets more beautiful. After a year, I believe I will have found a layout I consider worth printing. Until then, if you want to get your parish singing Sunday Vespers, feel free to use our version:

* *  PDF Download • SUNDAY VESPERS (Testing)

Everything except the Magnificat remains the same each week until Advent. Therefore, I had to create this sheet for 5 August 2018. 1 As time goes on, we will also add organ accompaniment. We will also employ special versions for the hymn.

* *  Magnificat • 24th Sunday after Pentecost

* *  Magnificat • 6th “resumed” Sunday after Epiphany

* *  Magnificat • 5th “resumed” Sunday after Epiphany

* *  Magnificat • 4th “resumed” Sunday after Epiphany

* *  Magnificat • 16th Sunday after Pentecost

* *  Magnificat • 17th Sunday after Pentecost

* *  Magnificat • 18th Sunday after Pentecost

* *  Magnificat • 19th Sunday after Pentecost

* *  Magnificat • 20th Sunday after Pentecost

* *  Magnificat • 21st Sunday after Pentecost

* *  Magnificat • 22nd Sunday after Pentecost

ORRY TO SWITCH TOPICS, but if you look in the Summit Hymnal (published in 1983 by the Dominican Monastery of Our Lady of the Rosary) you will find on page 517 a “combination descant.” The editor says one can combine their harmony for HALTON HOLGATE with the popular hymn tune called MONKLAND. They provide both, so there’s no possibility of melody variants.

A member of the Brébeuf Hymnal editorial team first brought this to my attention, and we got excited. The Summit Hymnal is one of the better hymnals…but—alas!—this turned out to be a lie:

* *  PDF Download • Copyrighted Descant “Fail”

But it doesn’t work. What a huge disappointment—it would have been spectacular if it worked. The Summit Hymnal editor even copyrighted what they call the “Tune-Descant combination.” But it’s a lie.

It just doesn’t work; they break all the rules of writing descants and several parts sound terrible.

87994 monk writes


NOTES FROM THIS ARTICLE:

1   Each week, I must create a similar sheet—unless I can successfully convince each choir member to purchase a copy of the Liber Usualis.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Vespers Last Updated: July 31, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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