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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Adoro te devote” (SATB) • Rehearsal Videos

Jeff Ostrowski · March 31, 2017

285 Thomas Aquinas OMETIMES PROTESTANTS accuse Catholics of an “abuse” regarding hymns, saying whenever we sing hymns during Mass we should sing all the verses. This sounds like a powerful, self-evident truth—just like when somebody says “peace” and “piece” couldn’t possibly be pronounced the same way because they’re spelled differently.

Those who carefully study hymns know better. Consider Tantum Ergo; which is not the complete hymn. Consider O Salutaris, Hostis Herodes, A solis ortus, and Angularis fundamentum; none of which is the complete hymn. For that matter, look at the ancient verses of the Offertories, which omit and combine verses constantly. Indeed, sections are sometimes omitted from Sequences (e.g. Credendum est from “Victimae Paschali”). 1

I’m teaching a hymn to our children’s choir, but we only do four verses:

    * *  PDF Download • “Adoro te devote” (SATB)

The melody is very “nineteenth-century”—and I’ll be curious to read the Facebook comments regarding this tune. The children like it.

The SATB section begins at the 0:37 marker:

REHEARSAL VIDEOS for each individual voice—along with PDF score—await you at #5855. If you like them, please consider donating $5.00 per month.


The English translation is by Fr. Adrian Fortescue (d. 1923):

1. Humbly I adore Thee, hidden Godhead,
veiled truly under these figures.
All my heart I give to Thee,
for it all fails in contemplating Thee.

1. Adóro te devóte, látens Déitas,
Quae sub his figúris vére látitas:
Tíbi se cor méum tótum súbjicit,
Quia te contémplans tótum déficit.

2. Sight, touch and taste tell me nothing
of Thy presence; yet safely I trust what I hear.
I believe whatever the Son of God has said;
nothing can be more true than the word of Truth itself.

2. Vísus, táctus, gústus in te fállitur,
Sed audítu sólo túto créditur:
Crédo, quídquid díxit Déi Fílius:
Nil hoc vérbo Veritátis vérius.

3. On the cross Thy Godhead was hidden;
here is hidden Thy manhood too.
Yet I believe and confess both,
praying as prayed the good thief.

3. In crúce latébat sóla Déitas,
At hic látet símul et humánitas:
Ámbo támen crédens átque cónfitens,
Péto quod petívit látro paénitens.

4. I do not see Thy wounds like Thomas;
yet I confess Thee my God.
Grant that I may ever more and more
believe in Thee, hope in Thee, love Thee.

4. Plágas, sícut Thómas, non intúeor:
Déum támen méum te confíteor:
Fac me tíbi sémper mágis crédere,
In te spem habére, te dilígere.



NOTES FROM THIS ARTICLE:

1   For the record, even melodies are sometimes added or torn out, which made a big difference in Gloria IX. This is simply what happens with a Faith as ancient as ours.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

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