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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

GoFundMe Campaign • Needing Scholarships!

Jeff Ostrowski · March 10, 2017

O CURSE THE DARKNESS is easier than lighting a candle. Many good Catholics want to restore sacred music to our churches, but don’t know how. This post is not really aimed at church musicians—who often live paycheck to paycheck. It’s geared toward Catholics searching for a worthwhile place to invest money—in this case, helping Catholic musicians who can’t afford to attend the Sacred Music Symposium. (Part of Lent is “almsgiving”—not just fasting.)

We’ve never used “GoFundMe” before, but let’s try it:

    * *  GoFundMe • SYMPOSIUM SCHOLARSHIPS 2017

This 2-minute video has footage by James & Mikio Sheehan:

From a Seminarian in Los Angeles:

REETINGS AND THANK YOU SO MUCH for this wonderful service to the West Coast, especially the Archdiocese of Los Angeles. As a former participant, I was personally enriched and tremendously benefited from my time spent at the Symposium. In particular, my prayer life has grown deeper as I meditate on the music we spent many hours preparing to sing. There were so many moments when I felt beautifully aware of the presence of God working in and through my voice and words. Even more, I developed a much more refined sense of Sacred Tradition and the beauty of Gregorian Chant. Our instructors were extremely knowledgeable and completely opened up the music for us. Furthermore, the workshops helped me to develop my skills as a choir leader. Some of the skills I developed even allowed me to adapt music for a particular feast that same summer.

All of this was possible for me to experience because of the generous donations of people who contributed to the Sacred Symposium. As a Seminarian, I do not have the means to pay for such an occasion as the Sacred Symposium so I am indebted to these generous donors for allowing me to be enriched by this wonderful event. Now that I have experienced it, however, I believe it is all the more necessary that I continue to develop my new found skills. One particular area that I can improve which the Symposium will help is the ability to make rehearsal videos and other reference materials for choir members. This will greatly improve rehearsals and help the less experienced singers progress faster.


From a 12-year-old girl:

Y NAME IS _______ and I am twelve years old. I started singing in the FSSP.la Choir when I was ten. Since then, I have come to learn a lot about Sacred Music, and I love singing it. St. Augustine said, “When you sing, you pray twice.” Sacred Music has thought me how profound prayer is. During Mass, when singing, one can feel the adoration and reverence that God deserves.

Last year, I had my first opportunity to participate in the 2016 Sacred Music Symposium, and what a wonderful experience it was!  I had the opportunity to meet such wonderful people like Dr. Calabrese and Dr. Buchholz and the many wonderful singers who attended the Symposium. I was inspired by their talent and knowledge of Sacred Music. There were techniques provided on how to improve your vocals, by warming up and helpful information for music directors.

This year the Symposium has returned and I am very much excited to participate once again. I hope to expand my knowledge in Sacred Music and its history as I have come to treasure it. Participating in this year’s Symposium I hope to learn more skills that will help me as a young choir member and, God willing, one day a music director or an organist for the Church. I am so very grateful to those who generously provide scholarships for this Sacred Music Symposium.

Our campaign will end on 25 March 2017, the feast of the Annunciation, which was also the birthday of St. Jean de Brébeuf (1593AD).  We are trying to raise $2,500.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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