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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

GoFundMe Campaign • Needing Scholarships!

Jeff Ostrowski · March 10, 2017

O CURSE THE DARKNESS is easier than lighting a candle. Many good Catholics want to restore sacred music to our churches, but don’t know how. This post is not really aimed at church musicians—who often live paycheck to paycheck. It’s geared toward Catholics searching for a worthwhile place to invest money—in this case, helping Catholic musicians who can’t afford to attend the Sacred Music Symposium. (Part of Lent is “almsgiving”—not just fasting.)

We’ve never used “GoFundMe” before, but let’s try it:

    * *  GoFundMe • SYMPOSIUM SCHOLARSHIPS 2017

This 2-minute video has footage by James & Mikio Sheehan:

From a Seminarian in Los Angeles:

REETINGS AND THANK YOU SO MUCH for this wonderful service to the West Coast, especially the Archdiocese of Los Angeles. As a former participant, I was personally enriched and tremendously benefited from my time spent at the Symposium. In particular, my prayer life has grown deeper as I meditate on the music we spent many hours preparing to sing. There were so many moments when I felt beautifully aware of the presence of God working in and through my voice and words. Even more, I developed a much more refined sense of Sacred Tradition and the beauty of Gregorian Chant. Our instructors were extremely knowledgeable and completely opened up the music for us. Furthermore, the workshops helped me to develop my skills as a choir leader. Some of the skills I developed even allowed me to adapt music for a particular feast that same summer.

All of this was possible for me to experience because of the generous donations of people who contributed to the Sacred Symposium. As a Seminarian, I do not have the means to pay for such an occasion as the Sacred Symposium so I am indebted to these generous donors for allowing me to be enriched by this wonderful event. Now that I have experienced it, however, I believe it is all the more necessary that I continue to develop my new found skills. One particular area that I can improve which the Symposium will help is the ability to make rehearsal videos and other reference materials for choir members. This will greatly improve rehearsals and help the less experienced singers progress faster.


From a 12-year-old girl:

Y NAME IS _______ and I am twelve years old. I started singing in the FSSP.la Choir when I was ten. Since then, I have come to learn a lot about Sacred Music, and I love singing it. St. Augustine said, “When you sing, you pray twice.” Sacred Music has thought me how profound prayer is. During Mass, when singing, one can feel the adoration and reverence that God deserves.

Last year, I had my first opportunity to participate in the 2016 Sacred Music Symposium, and what a wonderful experience it was!  I had the opportunity to meet such wonderful people like Dr. Calabrese and Dr. Buchholz and the many wonderful singers who attended the Symposium. I was inspired by their talent and knowledge of Sacred Music. There were techniques provided on how to improve your vocals, by warming up and helpful information for music directors.

This year the Symposium has returned and I am very much excited to participate once again. I hope to expand my knowledge in Sacred Music and its history as I have come to treasure it. Participating in this year’s Symposium I hope to learn more skills that will help me as a young choir member and, God willing, one day a music director or an organist for the Church. I am so very grateful to those who generously provide scholarships for this Sacred Music Symposium.

Our campaign will end on 25 March 2017, the feast of the Annunciation, which was also the birthday of St. Jean de Brébeuf (1593AD).  We are trying to raise $2,500.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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