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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

JPII: “The Roman Church Has Special Obligations to Latin”

Fr. David Friel · July 9, 2017

HAT IS THE role of Latin in the contemporary Church? On the one hand, Latin remains the official language of the Church and of her liturgy, while, on the other hand, Latin is left largely unstudied and unused in most areas.

What should the role of the Latin language be in the 21st-century Church?

It would profit us to revisit some words composed by Pope St. John Paul II in his Holy Thursday letter of 1980 (available here). In the third section of the letter, the Holy Father addresses the topic of the “two tables of the Lord” (Word and Eucharist). He acknowledges the positive dimensions of the vernacular readings introduced after the Second Vatican Council: “The fact that these texts are read and sung in the vernacular enables everyone to participate with fuller understanding” (Dominicae cenae, 10).

In the very next breath, however, JPII notes that the introduction of the vernacular has also brought about certain negative effects. He writes:

Nevertheless, there are also those people who, having been educated on the basis of the old liturgy in Latin, experience the lack of this “one language,” which in all the world was an expression of the unity of the Church and through its dignified character elicited a profound sense of the Eucharistic Mystery. It is therefore necessary to show not only understanding but also full respect towards these sentiments and desires. As far as possible, these sentiments and desires are to be accommodated, as is moreover provided for in the new dispositions (Dominicae cenae, 10).

Then, in understated fashion, the Holy Father makes a mammoth declaration: “The Roman Church has special obligations towards Latin, the splendid language of ancient Rome, and she must manifest them whenever the occasion presents itself” (Dominicae cenae, 10).

This is an absolutely extraordinary pronouncement. It does not say merely that the Church has a fond relationship with Latin; it does not say only that there is a historical connection between the Church and the Latin language; it does not say just that Latin has been useful to the Church. The tenor of this claim is raised to the level of an “ought.” The Church, according to St. John Paul II, holds obligations toward the Latin language.

This vision of the Church’s relationship with Latin is quite different from the perspective held by many post-conciliar liturgists. Consider the following reflection from Martimort’s classic work, L’Église en prière:

There will always be a place, however limited, for the traditional repertory that bears witness to the prayer of many different generations of Christians. There will be a place in particular for Gregorian chant in Latin, for this alone makes it possible for an international assembly to participate comfortably. (Aimé Georges Martimort, The Church at Prayer: An Introduction to the Liturgy, vol. I, trans. Matthew J. O’Connell [Collegeville, MN: Liturgical Press, 1987], 171).

This perspective treats Latin as a curious but affectionate part of the Church’s historical past. Such an approach seems, to me, ironically short-sighted. Martimort begins by asserting that the place of traditional Latin repertory is “limited” and ends by praising the value of Latin repertory at international gatherings. This is essentially a self-defeating prophecy. If the use of Gregorian chant is generally curtailed so as to be “limited,” after a fairly short span, it will cease to be an effective source of unity among the faithful at international gatherings.

This seems like an obvious thing to observe. After all, is this not the way the situation has actually played out in the years since the council? The widespread abandonment of the Church’s musical heritage in the aftermath of the council has left whole generations of Catholics with no practical knowledge or lived experience of Gregorian chant, such that the use of Latin at international gatherings seldom succeeds in helping the faithful “to participate comfortably.”

The natural effect of “limiting” the traditional repertory seems so obvious that one wonders if widespread ignorance of Latin and chant has not been achieved by design.

Pope St. John Paul II did not spell out the Church’s “obligations towards Latin” when he referenced them in 1980. It might be worth our while to do so now.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Latin, Pope Saint John Paul II Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The ‘Iste Confessor’ was greatly altered and the hymn for the Dedication of a Church (which no one ought to have touched) was completely recast in a new meter.

— Father Joseph Connelly

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