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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Giacomo Cardinal Lercaro (1891-1976)

Jeff Ostrowski · February 28, 2017

335 Cardinal Lercaro CONSILIUM PRESIDENT HE BISHOPS of Vatican II who voted for Sacrosanctum Concilium (December 1963) assumed the reforms would be undertaken by the Sacred Congregation of Rites. However, Pope Paul surprised everyone on 25 January 1964 by taking this job away from them and establishing a new body called the CONSILIUM to enact the liturgical reforms. It soon became apparent the Consilium wanted to go “beyond” Vatican II, while the Sacred Congregation of Rites attempted to retain only what the Council fathers mandated—and (sadly) met with precious little success. 1 Archbishop Piero Marini publicly admitted this in a 2007 book.

Ready for confusion? The Sacred Congregation of Rites was headed by CARDINAL LARRAONA whereas the Consilium was headed by CARDINAL LERCARO.

Larraona (1887-1973) was a Spanish Cardinal who had participated in the preparation of the 1917 Code of Canon Law. Lercaro (1891-1976) was Italian, and served as Archbishop of Bologna. He turned his episcopal palace into an orphanage and was mentioned numerous times in La riforma liturgica (Rome, 1983), a work by Annibale Bugnini which attempts to hide neither its bias nor its triumphalism.

When Bugnini’s book appeared in English in 1990, Monsignor Richard Schuler said:

Of course, there are “good guys” and “bad guys” according to Bugnini’s story. The “bad guys” are the church musicians and those wishing to retain some use of the Latin language, conservatives who evoke the anger and sarcasm of the author because of their efforts to defend the heritage of the Church in its liturgical texts and the musical settings (from Gregorian chant to modern compositions). Bugnini attributes bad will to many of those sitting with him on the various commissions, especially the members of the Consociatio Internationalis Musicae Sacrae.   [emphasis added]

You can read everything Msgr. Schuler had to say about Archbishop Bugnini in 1990, including this devastating assessment of the book:

There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: “Why?”

FATHER LOUIS BOUYER, a close friend of Pope Paul VI and important member of the Consilium, had this to say about Cardinal Lercaro:

Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who, though generous and brave, was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini—a man as bereft of culture as he was of basic honesty—soon revealed himself to be.

Here are some pictures and video of Giacomo Cardinal Lercaro, President of the Consilium:


(For the record, although it’s certainly not sacred music, I find that video’s soundtrack striking.)

10 Giacomo Cardinal Lercaro 9 Giacomo Cardinal Lercaro 8 Giacomo Cardinal Lercaro 7 Giacomo Cardinal Lercaro 6 Giacomo Cardinal Lercaro 5 Giacomo Cardinal Lercaro

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

6x Giacomo Cardinal Lercaro 5x Giacomo Cardinal Lercaro 4x Giacomo Cardinal Lercaro 3x Giacomo Cardinal Lercaro 2x Giacomo Cardinal Lercaro 1x Giacomo Cardinal Lercaro



NOTES FROM THIS ARTICLE:

1   The Sacred Congregation of Rites was occasionally able to block the Consilium—such as when the Consilium tried to eliminate Hebrew words like Hosanna, Amen, and Alleluia from the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

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