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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

7 Points • “The Joy of Lent”

Dr. Alfred Calabrese · February 23, 2017

339 Ash Wednesday OME PEOPLE SEEM to dread the season of Lent. I’m not sure why that is exactly, but I can guess. Perhaps they think there is too much focus on negative things, like sin. Maybe they don’t want to think about depriving themselves by fasting, or going without meat on Fridays. Maybe the Lenten hymns aren’t uplifting or “happy” enough for them, or maybe they’re uncomfortable with extra silence during the Mass. I’ve even had priests tell me that people just tend to be in a really bad mood during Lent, and that complaints about all sorts of things, especially the music, are going to start pouring into the church.

Well, I don’t buy it. If we help people to understand all the positive aspects of Lent, the more they will appreciate it. In fact, the more I think about it, I think that Lent just might be my favorite time of the Church year.

Some of the reasons I look forward to the Lenten season:

(1) Great choral music

There is so much passionate, expressive, moving, and just plain GREAT choral music that really only makes sense during Lent. From Allegri’s famous Miserere (not to mention settings by Lotti, Byrd and Palestrina) to Morley’s Nolo mortem peccatoris, Tu solus qui facis mirabilia by Josquin, Byrd’s In jejunio et fletu, Anerio’s Christus factus est; the list is endless and I haven’t even mentioned the great anthems in English! Joy in both singing and listening.

(2) Hymnody

Unmistakable tunes like HEINLEIN, ST FLAVIAN, ERHALT UNS HERR, PASSION CHORALE, and ATTENDE DOMINE are so associated with Lent that we are immersed in the flavor of the season immediately upon their sounding, while their hymn texts are like little mini-homilies, leading us through the Biblical and theological highpoints of our Lenten journey.

(3) The Rites of Christian Initiation

Each week we welcome and get to know our brothers and sisters who will soon be in full Communion with us in the faith. That’s pretty uplifting if you ask me.

(4) A return to the confessional

Many parishes and dioceses put a renewed emphasis on the Sacrament of Reconciliation. Extra penance services are held and people are encouraged to make a good Lenten confession before Easter. Lines for confession get longer and more people seem to take their faith more seriously. A reason to rejoice!

(5) Time for reflection

The restriction of the organ and other instruments to only accompany singing leaves more time for silence. As I mentioned earlier, this extra silence might make some people feel uncomfortable. But we can learn to use this time as a chance for extra prayer and active listening. How wonderful to have the opportunity to heighten our internal joy even as we place limits on our external pleasures.

(6) Increased use of chant and Latin

During Lent many parishes will sing a Latin Agnus Dei or Sanctus. Some choirs may include a chanted Introit. And in some fortunate places, the priest may even sing more of his parts! While these things certainly should take place all year ‘round, this is still a positive sign for which we should all be thankful.

(7) Laetare Sunday

Rejoice, Jerusalem! We are closer than ever to our Easter joy.

As I mentioned above, there is so much great choral music from which to choose during Lent, and I love that process. I am thrilled that I will get to share that process and some of my favorite pieces at the Sacred Music Symposium 2017 this coming June. In the meantime, have a listen to one of my favorite English anthems for Lent:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

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