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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

7 Points • “The Joy of Lent”

Dr. Alfred Calabrese · February 23, 2017

339 Ash Wednesday OME PEOPLE SEEM to dread the season of Lent. I’m not sure why that is exactly, but I can guess. Perhaps they think there is too much focus on negative things, like sin. Maybe they don’t want to think about depriving themselves by fasting, or going without meat on Fridays. Maybe the Lenten hymns aren’t uplifting or “happy” enough for them, or maybe they’re uncomfortable with extra silence during the Mass. I’ve even had priests tell me that people just tend to be in a really bad mood during Lent, and that complaints about all sorts of things, especially the music, are going to start pouring into the church.

Well, I don’t buy it. If we help people to understand all the positive aspects of Lent, the more they will appreciate it. In fact, the more I think about it, I think that Lent just might be my favorite time of the Church year.

Some of the reasons I look forward to the Lenten season:

(1) Great choral music

There is so much passionate, expressive, moving, and just plain GREAT choral music that really only makes sense during Lent. From Allegri’s famous Miserere (not to mention settings by Lotti, Byrd and Palestrina) to Morley’s Nolo mortem peccatoris, Tu solus qui facis mirabilia by Josquin, Byrd’s In jejunio et fletu, Anerio’s Christus factus est; the list is endless and I haven’t even mentioned the great anthems in English! Joy in both singing and listening.

(2) Hymnody

Unmistakable tunes like HEINLEIN, ST FLAVIAN, ERHALT UNS HERR, PASSION CHORALE, and ATTENDE DOMINE are so associated with Lent that we are immersed in the flavor of the season immediately upon their sounding, while their hymn texts are like little mini-homilies, leading us through the Biblical and theological highpoints of our Lenten journey.

(3) The Rites of Christian Initiation

Each week we welcome and get to know our brothers and sisters who will soon be in full Communion with us in the faith. That’s pretty uplifting if you ask me.

(4) A return to the confessional

Many parishes and dioceses put a renewed emphasis on the Sacrament of Reconciliation. Extra penance services are held and people are encouraged to make a good Lenten confession before Easter. Lines for confession get longer and more people seem to take their faith more seriously. A reason to rejoice!

(5) Time for reflection

The restriction of the organ and other instruments to only accompany singing leaves more time for silence. As I mentioned earlier, this extra silence might make some people feel uncomfortable. But we can learn to use this time as a chance for extra prayer and active listening. How wonderful to have the opportunity to heighten our internal joy even as we place limits on our external pleasures.

(6) Increased use of chant and Latin

During Lent many parishes will sing a Latin Agnus Dei or Sanctus. Some choirs may include a chanted Introit. And in some fortunate places, the priest may even sing more of his parts! While these things certainly should take place all year ‘round, this is still a positive sign for which we should all be thankful.

(7) Laetare Sunday

Rejoice, Jerusalem! We are closer than ever to our Easter joy.

As I mentioned above, there is so much great choral music from which to choose during Lent, and I love that process. I am thrilled that I will get to share that process and some of my favorite pieces at the Sacred Music Symposium 2017 this coming June. In the meantime, have a listen to one of my favorite English anthems for Lent:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

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