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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Do Catholic Teenagers Sing?

Fr. David Friel · August 20, 2017

RIESTLY ministry is incredibly varied. In just over six years, priesthood has taken me to soccer sidelines, finance council meetings, Penance services, block parties, middle-of-the-night deathbeds, prison visits, Pre-K classrooms, gravesides, beef-and-beers, two World Youth Days, countless Communion calls, crime scenes, and much, much more.

Amidst all the variety, one thing that has been a constant for me as a priest has been involvement in youth & young adult ministry. This continuous connection to young people has, for me, been welcome. It has also given me a perspective on the Church’s approach to youth ministry that is both enthusiastic and critical.

I would like to expound upon that part of my perspective which is critical. Allow me to do so by means of a story.

This summer, I had the opportunity to participate in a wonderful program for high school-aged boys and girls. All of the nearly 100 participants were Catholic, and their commitment to the faith could be described as above average. They hailed from across the United States, and they represented a wide assortment of educational backgrounds, including public/charter schools, Catholic/Christian schools, and homeschooling. Their talents and interests were as diverse as one might expect in a group of 100 teenagers.

Something interesting happened during a Mass that was celebrated during this youth program. All the teenagers were present, along with a handful of adults, and there were a number of priests concelebrating.

After Communion, the main celebrant of the Mass invited the other priests to join him in singing the Salve Regina. This invitation was accompanied by a lengthy, nearly apologetic explanation to the teenagers of what they were about to hear. Assuming that the young people would know none of the Latin, he encouraged them to follow along by praying the Hail, Holy Queen in their hearts.

The priest intoned the Salve Regina, and about half of the congregation sang along lustily.

After the final blessing, the person playing the guitar and leading the music invited everyone to sing the recessional hymn, Shine, Jesus, Shine. This invitation was accompanied by no further direction. Assuming that the young people would chime right in, the guitarist strummed a few chords and broke into the refrain.

No one but the guitarist and some of the priests even opened their mouths.

I interpret this experience as anecdotal evidence of something that I believe is generally true: the typical practicing Catholic teenager of today is more likely to know the Salve Regina than Shine, Jesus, Shine (or any number of other songs from a bygone era).

The point is that young people are often nowhere near where their priests, catechists, music ministers, and youth group leaders think they are. We would do well as a Church to admit that to ourselves and then work toward bridging the gap.

When the decision is made to sing something at Mass “for the kids” or to sing something that “the young people will like,” it is fair to question whether this is actually being done “for the kids” or rather for the ones promoting X, Y, or Z. It is time for the world of youth & young adult ministry to stop infantilizing young people. “Young” is not a synonym for shallow, frivolous, or stupid.

Instead of preparing liturgies for young people based on what we think (often erroneously) will be familiar or make them comfortable, we should be looking at our young people and asking ourselves what great things they are capable of learning, achieving, and contributing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

Recent Posts

  • Entrance Chant • Before or After Opening Hymn?
  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)

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