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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Do Catholic Teenagers Sing?

Fr. David Friel · August 20, 2017

RIESTLY ministry is incredibly varied. In just over six years, priesthood has taken me to soccer sidelines, finance council meetings, Penance services, block parties, middle-of-the-night deathbeds, prison visits, Pre-K classrooms, gravesides, beef-and-beers, two World Youth Days, countless Communion calls, crime scenes, and much, much more.

Amidst all the variety, one thing that has been a constant for me as a priest has been involvement in youth & young adult ministry. This continuous connection to young people has, for me, been welcome. It has also given me a perspective on the Church’s approach to youth ministry that is both enthusiastic and critical.

I would like to expound upon that part of my perspective which is critical. Allow me to do so by means of a story.

This summer, I had the opportunity to participate in a wonderful program for high school-aged boys and girls. All of the nearly 100 participants were Catholic, and their commitment to the faith could be described as above average. They hailed from across the United States, and they represented a wide assortment of educational backgrounds, including public/charter schools, Catholic/Christian schools, and homeschooling. Their talents and interests were as diverse as one might expect in a group of 100 teenagers.

Something interesting happened during a Mass that was celebrated during this youth program. All the teenagers were present, along with a handful of adults, and there were a number of priests concelebrating.

After Communion, the main celebrant of the Mass invited the other priests to join him in singing the Salve Regina. This invitation was accompanied by a lengthy, nearly apologetic explanation to the teenagers of what they were about to hear. Assuming that the young people would know none of the Latin, he encouraged them to follow along by praying the Hail, Holy Queen in their hearts.

The priest intoned the Salve Regina, and about half of the congregation sang along lustily.

After the final blessing, the person playing the guitar and leading the music invited everyone to sing the recessional hymn, Shine, Jesus, Shine. This invitation was accompanied by no further direction. Assuming that the young people would chime right in, the guitarist strummed a few chords and broke into the refrain.

No one but the guitarist and some of the priests even opened their mouths.

I interpret this experience as anecdotal evidence of something that I believe is generally true: the typical practicing Catholic teenager of today is more likely to know the Salve Regina than Shine, Jesus, Shine (or any number of other songs from a bygone era).

The point is that young people are often nowhere near where their priests, catechists, music ministers, and youth group leaders think they are. We would do well as a Church to admit that to ourselves and then work toward bridging the gap.

When the decision is made to sing something at Mass “for the kids” or to sing something that “the young people will like,” it is fair to question whether this is actually being done “for the kids” or rather for the ones promoting X, Y, or Z. It is time for the world of youth & young adult ministry to stop infantilizing young people. “Young” is not a synonym for shallow, frivolous, or stupid.

Instead of preparing liturgies for young people based on what we think (often erroneously) will be familiar or make them comfortable, we should be looking at our young people and asking ourselves what great things they are capable of learning, achieving, and contributing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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