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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

2nd Macau International Choir Festival

Andrew Leung · April 27, 2017

CTL 2nd Macau International Choir Festival UILDING ON THE SUCCESS of last year’s choir festival, the Second Macau International Choir Festival will be held from December 6 to December 10. This year, the Diocese of Macau and the cathedral parish will join as the co-organizers of the festival. The Catholic Church has always been the greatest patron of music; Macau, as the first Catholic diocese in the Far East, is going to take part in the promotion of sacred music.

This year, participants would have the opportunity to sing for the diocesan Mass on the Solemnity of the Immaculate Conception, the patron of the Diocese of Macau, at the historic Cathedral of the Nativity of Our Lady. Participating choirs will also have the chance to perform in other historical sites including: the Church of St. Lawrence (the first parish in Macau, over 400 years old), the Church of St. Dominic (built by Dominicans 400 years ago, former motherhouse of the missionary friars in the Far East) and the Ruins of St. Paul (landmark of Macau and the ruins of the first theological institute in the Far East, founded by the Jesuits in 1583).

The Macau International Choir Festival is a non-competitive festival. The festival is a unique endeavor in an international choral scene that will combine different artistic innovation, professional performance development and intercultural collaborations of different choirs from the world in the magic of the island of Macau.

For more information and registration, please contact Barrie Briones at cantatamacau@outlook.com. The deadline for registration is August 20, 2017.

CTL 2nd Macau International Choir Festival 3 ERSONALLY, I found hosting guest choirs for choral liturgies a very efficient way to promote sacred music. We are very blessed to be an international city and be able to have visiting choirs from around the world. Holding concerts and choral services really help increasing the faithful’s appreciation for the music of the Church. Since my arrival at the Macau Cathedral last September, we have had three different choirs visited us already and we are looking forward to the others from Hong Kong, Japan, Singapore and the UK in the coming year.

And for your interest, here are two videos of our previous guest choirs’ programs, back in December, at the Macau Cathedral. (We were visited recently by the Schola Cantorum of the Oratory School too and were blessed to be able to hear them during the Choral Mass, but the video has not yet been uploaded.) Enjoy!

Lessons and Carols Service by St. John’s Voices of the University of Cambridge

Lessons and Carols Service by the Choir of Corpus Christi College, University of Cambridge

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

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— Oliver Wendell Holmes

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