• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

2nd Macau International Choir Festival

Andrew Leung · April 27, 2017

CTL 2nd Macau International Choir Festival UILDING ON THE SUCCESS of last year’s choir festival, the Second Macau International Choir Festival will be held from December 6 to December 10. This year, the Diocese of Macau and the cathedral parish will join as the co-organizers of the festival. The Catholic Church has always been the greatest patron of music; Macau, as the first Catholic diocese in the Far East, is going to take part in the promotion of sacred music.

This year, participants would have the opportunity to sing for the diocesan Mass on the Solemnity of the Immaculate Conception, the patron of the Diocese of Macau, at the historic Cathedral of the Nativity of Our Lady. Participating choirs will also have the chance to perform in other historical sites including: the Church of St. Lawrence (the first parish in Macau, over 400 years old), the Church of St. Dominic (built by Dominicans 400 years ago, former motherhouse of the missionary friars in the Far East) and the Ruins of St. Paul (landmark of Macau and the ruins of the first theological institute in the Far East, founded by the Jesuits in 1583).

The Macau International Choir Festival is a non-competitive festival. The festival is a unique endeavor in an international choral scene that will combine different artistic innovation, professional performance development and intercultural collaborations of different choirs from the world in the magic of the island of Macau.

For more information and registration, please contact Barrie Briones at cantatamacau@outlook.com. The deadline for registration is August 20, 2017.

CTL 2nd Macau International Choir Festival 3 ERSONALLY, I found hosting guest choirs for choral liturgies a very efficient way to promote sacred music. We are very blessed to be an international city and be able to have visiting choirs from around the world. Holding concerts and choral services really help increasing the faithful’s appreciation for the music of the Church. Since my arrival at the Macau Cathedral last September, we have had three different choirs visited us already and we are looking forward to the others from Hong Kong, Japan, Singapore and the UK in the coming year.

And for your interest, here are two videos of our previous guest choirs’ programs, back in December, at the Macau Cathedral. (We were visited recently by the Schola Cantorum of the Oratory School too and were blessed to be able to hear them during the Choral Mass, but the video has not yet been uploaded.) Enjoy!

Lessons and Carols Service by St. John’s Voices of the University of Cambridge

Lessons and Carols Service by the Choir of Corpus Christi College, University of Cambridge

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.