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Views from the Choir Loft

Liturgical Language Barriers

Veronica Brandt · April 1, 2017

Lincoln Cathedral JUST RECENTLY A FRIEND and fellow Catholic homeschooler expressed concern about singing in Latin. She felt her family not experienced enough to accomplish this. This shocked me and revealed my underlying assumption that the whole point of Catholic homeschooling is to devote time to the study of Latin and Sacred Music.

Once I reflected a little about this I realized the folly of my position, and the enormity of our distance from the ideals assumed in the Second Vatican Council of the primacy of Latin and chant.

Not that Catholic homeschoolers are necessarily more enlightened than regular Catholics. Homeschooling is more an absence of external schooling rather than a thing in itself. There is no compulsory boot-camp for prospective homeschool parents – it is all learning on the job.

Back to Language Barriers.

Latin as a liturgical language is a very useful mechanism for transcending space and time and uniting our worship with people around the world and across the centuries.

But it takes a little learning.

Not too much learning! You don’t need to conjugate or decline in order to pray a Pater Noster. A simple word for word translation will suffice.

The main thing to learn is how to make sounds out of printed Latin words. Fortunately a few simple rules go a long way to making this possible. Learn the rules and practice reading aloud and it will take root and become easy.

Here is a short video (2.5 minutes) that covers the most used features of Church Latin pronunciation. The remaining rules can be introduced as needed. Here my daughter is 7 months old.



 

UPDATE: a reader sent this list of pronunciation videos for the Ordinaries of the Mass. Great to listen and watch to make that connection between the written words and the sounds.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

I want to say one thing to you strongly, especially today: virginity for the Kingdom of God is not a “no,” it is a “yes!”

— Pope Francis (10/4/2013)

Recent Posts

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  • “The Adalbert Propers” • Six (6) Quotations
  • PDF Download • “Entrance Chant” for 29 June … Which Falls on a Sunday This Year!
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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.