Views from the Choir Loft

“Kyrie VIII” Organ Accompaniment by Flor Peeters

Jeff Ostrowski · October 30, 2016

ERY SOON, Watershed will release a special project dealing with the NOH, which I believe our readers will love. Ever since we scanned and uploaded the NOH in 2008, many have come to love it. Not as many, however, realize that Flor Peeters wrote a brilliant method book explaining the NOH principles. ¹

The method book by Flor Peeters is available in two editions at the St. Jean de Lalande Online Library. Therein he describes the harmonies chosen for the NOH. Here’s Kyrie VIII harmonized by Peeters himself, with Solesmes rhythmic markings in yellow:

* * PDF • KYRIE VIII with Solesmes markings

Thirteen (13) more organ accompaniments for the complete Missa de angelis can be downloaded here. Flor Peeters also gives examples of the different ways one can accompany plainsong. For instance, here’s an “alternate” Kyrie VIII he recommends for excellent cantors:

698 Flor Peeters KYRIE VIII

By the way, I mentioned how the score above has Solesmes markings. For the record, almost all of the Kyriale—about 99% of it—matches the “pure” Editio Vaticana rhythm. ² (This cannot be said about the Graduale or Antiphonale.)

If you appreciate the rare books offered in the Lalande Library—such as the NOH and the Flor Peeters method book—please consider donating $5.00 per month. Corpus Christi Watershed is a 100% volunteer organization; none of us is paid.

NOTES FROM THIS ARTICLE:

1 The NOH was a creation by “three generations.” In other words, it involved Msgr. Jules Vyverman, who studied with Flor Peeters. And it involved Flor Peeters, who studied with Msgr. Jules Van Nuffel. And it involved Msgr. Jules Van Nuffel.

2 An exception would be the KYRIE melisma in Mass V.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed