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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choirmaster’s Life: “A Life of Sacrifice”

Jeff Ostrowski · October 10, 2016

779 Sperabo HE LIFE of a choirmaster is a life of sacrifice. Indeed, directing a choir is one of the most difficult jobs—and our readers hardly require an explanation from me, since many share this vocation! However, if we look deeper, we realize this is actually a good thing.

For example, it was necessary for me to work very hard to put myself through college. I had earned scholarships, but there were additional requirements for those who received them. Looking back, I’m so glad I applied myself to the fullest—but would I have done so if it weren’t required?

Those of us with small children know how difficult this can be. The fact that I have been suffering due to a serious illness (in spite of many expensive medical procedures) makes things even harder. Sometimes my wife and I get so overwhelmed we just stare at each other: “Is this really happening right now?” Yet, God always has a plan. He knows these trials will bring us closer to Him, so we can be with Him in Heaven one day. Let’s be honest—would anyone choose the difficulties associated with raising children if they were given another option?

Due to human nature, I believe most of us wouldn’t reach our potential unless we have to. 1

AS A CHOIRMASTER, nothing would be easier than having twenty paid professional singers present each week. I’ve done that in the past, and it’s really awesome. On the other hand, working with volunteers is quite challenging. You must work very hard—or they stop coming. You must introduce new music—or they stop coming. You must not overwhelm them—or they stop coming. You must accept their quirks—or they stop coming. You must make sure the level of performance is acceptable and doesn’t sound horrible—or they stop coming. You must be flexible, adjusting to their needs as they are revealed to you—or they stop coming. You must be energetic and happy, bursting with energy and knowledge and excitement—or they stop coming.

But I wouldn’t have it any other way.

These challenges force us to become better at what we do. As I mentioned earlier, most of us would not push ourselves—unless we have to. Most importantly of all, these efforts please God.

And when the choir sings well, it’s all worth it. And when you see the transformation in people who have learned so much from your directing, it’s totally worth it!



NOTES FROM THIS ARTICLE:

1   If you examine the great composers, you will notice that—almost without exception—they wrote their best works out of necessity. They often had an urgent purpose: compose this piece, or you don’t eat! We hardly ever find composers “going off into a corner” and composing a piece without an immediate purpose in mind. Performers are the same way. When Horowitz had very little money, he reached the zenith of his career. After he became extremely famous and rich, his playing suffered tremendously. (The drugs didn’t help matters, either!) Horowitz could sit in his pajamas all day if he desired—and often did—and this was his undoing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Translator has not followed any existing version exactly in the rendering of the Holy Scripture. The version, or rather series of versions—for there are many different recensions of the text,—generally called the Doway Bible, does not much commend itself to the English ear, and is indeed, especially in the earlier recensions, difficult to understand for any one who does not know Latin, and indeed other languages also…”

— John Crichton-Stuart (27 June 1879)

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