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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choirmaster’s Life: “A Life of Sacrifice”

Jeff Ostrowski · October 10, 2016

779 Sperabo HE LIFE of a choirmaster is a life of sacrifice. Indeed, directing a choir is one of the most difficult jobs—and our readers hardly require an explanation from me, since many share this vocation! However, if we look deeper, we realize this is actually a good thing.

For example, it was necessary for me to work very hard to put myself through college. I had earned scholarships, but there were additional requirements for those who received them. Looking back, I’m so glad I applied myself to the fullest—but would I have done so if it weren’t required?

Those of us with small children know how difficult this can be. The fact that I have been suffering due to a serious illness (in spite of many expensive medical procedures) makes things even harder. Sometimes my wife and I get so overwhelmed we just stare at each other: “Is this really happening right now?” Yet, God always has a plan. He knows these trials will bring us closer to Him, so we can be with Him in Heaven one day. Let’s be honest—would anyone choose the difficulties associated with raising children if they were given another option?

Due to human nature, I believe most of us wouldn’t reach our potential unless we have to. 1

AS A CHOIRMASTER, nothing would be easier than having twenty paid professional singers present each week. I’ve done that in the past, and it’s really awesome. On the other hand, working with volunteers is quite challenging. You must work very hard—or they stop coming. You must introduce new music—or they stop coming. You must not overwhelm them—or they stop coming. You must accept their quirks—or they stop coming. You must make sure the level of performance is acceptable and doesn’t sound horrible—or they stop coming. You must be flexible, adjusting to their needs as they are revealed to you—or they stop coming. You must be energetic and happy, bursting with energy and knowledge and excitement—or they stop coming.

But I wouldn’t have it any other way.

These challenges force us to become better at what we do. As I mentioned earlier, most of us would not push ourselves—unless we have to. Most importantly of all, these efforts please God.

And when the choir sings well, it’s all worth it. And when you see the transformation in people who have learned so much from your directing, it’s totally worth it!



NOTES FROM THIS ARTICLE:

1   If you examine the great composers, you will notice that—almost without exception—they wrote their best works out of necessity. They often had an urgent purpose: compose this piece, or you don’t eat! We hardly ever find composers “going off into a corner” and composing a piece without an immediate purpose in mind. Performers are the same way. When Horowitz had very little money, he reached the zenith of his career. After he became extremely famous and rich, his playing suffered tremendously. (The drugs didn’t help matters, either!) Horowitz could sit in his pajamas all day if he desired—and often did—and this was his undoing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The revision of the liturgical books must carefully attend to the provision of rubrics also for the people’s parts.”

— The Second Vatican Council (SC §31)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.