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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Legacy of Martin of Tours

Fr. David Friel · November 11, 2016

S OUR COUNTRY observes Veterans Day today, we, as a Church, celebrate the patron saint of soldiers, St. Martin of Tours. I have long felt a special connection to St. Martin.

As a child, I read a short book about Martin, and his story absolutely captivated me. Years later, I found myself praying to him (among other saints) during my training as a Navy chaplain.

The magnificent chapel of the college seminary in Philadelphia (pictured at right) is known as St. Martin’s Chapel. It was in this place that my life of prayer was formed and deepened. It was also in this chapel that I first sang in a choir and played the organ. It was ultimately in this chapel that I was ordained a deacon.

Whenever giving a tour of the seminary to a group of visitors, on entering the chapel, I would always point out the small, stained glass windows set inside the huge, wooden doors (pictured below). On the left door is a depiction of Martin as a soldier, and on the right door is an image of Martin as a bishop, representing the two major phases of his extraordinary life.

On reaching the sanctuary with the tour group, I would point out the paintings in the apse, which portray important scenes in Martin’s life. The left-most painting captures a remarkable story of his encounter with the Lord, and it seems like a story worth retelling today.

The story begins when Martin was a teenager, a catechumen, and a soldier in the Roman army. He came one day upon a beggar who was shivering from the cold. Moved with compassion for the fellow, he took off his cloak—part of his uniform—and cut it in two, giving half of it to the poor beggar.

I have often wondered why Martin did not give the beggar the whole cloak. That certainly would have been a nice thing to do and a great act of charity. But it also would have sent a very different message than what he actually did.

Had Martin given away his whole cloak, he would have sent the message that: “You’re needy, and I’m not. I can give you my cloak and go get another one for myself. I’m giving, and you’re taking.”

By tearing his cloak in half and sharing it, though, Martin sent a very different message. His message was: “We’re brothers. You’ll be a little bit cold, and so will I. Your problems are my problems. We’ll suffer together.” By doing what he did, Martin not only addressed the physical needs of the beggar, but, more importantly, established a real sense of fraternity with him.

The story about St. Martin goes on, because, some time later, he had a dream in which he had a vision of our Lord. In that dream, Jesus appeared to him wearing the half cloak he had given to the beggar. This was a very concrete symbol of Christ’s words, “Whatever you do to the least of My brethren, you do unto Me” (Matthew 25:40).

Even more than that, though, our Lord was sending the same message to Martin that Martin had sent to the beggar. Our Lord was saying, effectively: “We’re brothers. Your problems are My problems. We’ll suffer together.”

The message our Lord delivered to St. Martin of Tours is a message He shares, also, with us.

Martin’s cloak, thereafter, was treated as a most valuable relic, and pieces of it were frequently carried into battle. The relics were often cared for by priests, who came to be known as capellani. Eventually, all priests serving with the troops in battle came to be known by this name, from which the English word “chaplain” derives.

As we honor our veterans today, let us pray for the intercession of St. Martin of Tours upon all those in military service. In serving their country, may they serve, also, the Lord!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

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