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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Legacy of Martin of Tours

Fr. David Friel · November 11, 2016

S OUR COUNTRY observes Veterans Day today, we, as a Church, celebrate the patron saint of soldiers, St. Martin of Tours. I have long felt a special connection to St. Martin.

As a child, I read a short book about Martin, and his story absolutely captivated me. Years later, I found myself praying to him (among other saints) during my training as a Navy chaplain.

The magnificent chapel of the college seminary in Philadelphia (pictured at right) is known as St. Martin’s Chapel. It was in this place that my life of prayer was formed and deepened. It was also in this chapel that I first sang in a choir and played the organ. It was ultimately in this chapel that I was ordained a deacon.

Whenever giving a tour of the seminary to a group of visitors, on entering the chapel, I would always point out the small, stained glass windows set inside the huge, wooden doors (pictured below). On the left door is a depiction of Martin as a soldier, and on the right door is an image of Martin as a bishop, representing the two major phases of his extraordinary life.

On reaching the sanctuary with the tour group, I would point out the paintings in the apse, which portray important scenes in Martin’s life. The left-most painting captures a remarkable story of his encounter with the Lord, and it seems like a story worth retelling today.

The story begins when Martin was a teenager, a catechumen, and a soldier in the Roman army. He came one day upon a beggar who was shivering from the cold. Moved with compassion for the fellow, he took off his cloak—part of his uniform—and cut it in two, giving half of it to the poor beggar.

I have often wondered why Martin did not give the beggar the whole cloak. That certainly would have been a nice thing to do and a great act of charity. But it also would have sent a very different message than what he actually did.

Had Martin given away his whole cloak, he would have sent the message that: “You’re needy, and I’m not. I can give you my cloak and go get another one for myself. I’m giving, and you’re taking.”

By tearing his cloak in half and sharing it, though, Martin sent a very different message. His message was: “We’re brothers. You’ll be a little bit cold, and so will I. Your problems are my problems. We’ll suffer together.” By doing what he did, Martin not only addressed the physical needs of the beggar, but, more importantly, established a real sense of fraternity with him.

The story about St. Martin goes on, because, some time later, he had a dream in which he had a vision of our Lord. In that dream, Jesus appeared to him wearing the half cloak he had given to the beggar. This was a very concrete symbol of Christ’s words, “Whatever you do to the least of My brethren, you do unto Me” (Matthew 25:40).

Even more than that, though, our Lord was sending the same message to Martin that Martin had sent to the beggar. Our Lord was saying, effectively: “We’re brothers. Your problems are My problems. We’ll suffer together.”

The message our Lord delivered to St. Martin of Tours is a message He shares, also, with us.

Martin’s cloak, thereafter, was treated as a most valuable relic, and pieces of it were frequently carried into battle. The relics were often cared for by priests, who came to be known as capellani. Eventually, all priests serving with the troops in battle came to be known by this name, from which the English word “chaplain” derives.

As we honor our veterans today, let us pray for the intercession of St. Martin of Tours upon all those in military service. In serving their country, may they serve, also, the Lord!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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