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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Parish Lenten Programs • 15 Suggestions

Fr. David Friel · March 6, 2016

ANY PARISHES spend a great deal of time and energy planning their Lenten program for the year. More often than not, this planning resorts to creative ways of spicing up the Sunday liturgical celebrations.

By all means, it is good for parishes to offer extra opportunities during Lent: additional Bible studies, group almsgiving initiatives, adult faith formation series, special opportunities for performing the Works of Mercy, etc. These are all good and wonderful.

Liturgically, however, the Church already has a “Lenten program,” and it is better than anything a liturgy committee can or will come up with. The truth is that we don’t have to “plan” anything special for our Lenten liturgies; we simply need to “prepare” the liturgies as they are laid out in the liturgical books.

What does the Church’s liturgical “Lenten program” look like? In no specific order:

1. No flowers in the sanctuary and simpler altar cloths

2. Withholding of the Gloria and Alleluia

3. No instrumental music & use of the organ only to support the singing

4. Violet vestments

5. Rose vestments, along with moderate use of flowers & instrumental music, to mark the special significance of Laetare Sunday

6. Offer extra times for Confessions

7. Veiling of statues & images throughout Passiontide

8. Special devotions, such as the Stations of the Cross

9. Public recitation of the Divine Office during the Sacred Triduum

10. Tenebrae services

11. Exercising the option to read the Sunday Gospels from Year A in all three years of the Lectionary cycle

12. Use of the solemn entrance during the principal Mass on Palm Sunday

13. Silencing of the bells and use of the strepitus during the Sacred Triduum

14. Careful celebration of the Sacred Triduum liturgies according to the rubrics and the Circular Letter Concerning the Preparation and Celebration of the Easter Feasts

15. Use of the Prayers Over the People appointed for the final blessing each day at Mass

There are probably other items that could be added to this list. The point is this: simply adhering to the tradition of the Church in these matters would be a wonderful Lenten program for every parish.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Holy Week, Liturgy Wars, Passing on Tradition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Plainsong
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In paradísum dedúcant te ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • “In Paradisum” • Plainsong
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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