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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Church Music Issue Nobody Will Touch

Jeff Ostrowski · March 21, 2016

650 Footwashing OR A THOUSAND excellent reasons, we never delve into politics on this blog. The issue of abortion, however, is different because it’s a human rights issue, not a political one. On 7 March 2016, Senator Bernie Sanders was asked if abortion at any stage during pregnancy—even the moment of birth—should be prohibited. Sanders replied that an unborn child is part of a woman’s anatomy, and women can do as they please with their bodies. The moderator then continued to another subject.

In my view, more questions should have been asked, such as:

(1) You’ve said that children in the third trimester—even though they possess their own DNA and can live independently of the mother—are “part of the woman’s body.” At what specific point do these unborn children become human? Are they still part of the mother’s body when partially delivered?

(2) Based on your answer, is it correct to say that you believe the rights of innocent (unborn) boys and girls can be ignored once another human being decides to end their life?

(3) You say an unborn child has no rights, but others disagree with you and believe every human life matters. They feel the government should protect ALL innocent humans from violence, even those not strong enough to defend themselves. How would you feel if things were reversed, and your views were discounted?

As far as I know, Senator Sanders has never had to answer questions like these. The subject of “questions never asked” always calls to mind a certain liturgical abuse…

MUCH HAS BEEN WRITTEN about Cardinal Sarah’s recent “foot washing” documents. Yet, this tiny (optional) ceremony is insignificant compared to another liturgical issue, about which questions are never asked. I speak of an abuse that touches every single Ordinary Form Mass in the United States. Specifically, on 12 November 2012 the Bishops’ Liturgy Committee said that certain sections of the GIRM can be ignored. 1 But if that’s true, what other sections of the GIRM can be ignored? And what was so unacceptable about the Propers, which are ancient antiphons from Sacred Scripture? Was not the whole point of the liturgical movement to help people “sing the Mass” instead of singing during Mass?

We can ask these questions all day, but they’ll never be answered. That is why we have a situation where 99% of parishes replace the Propers with texts lacking the approval required by the GIRM. I’m at a loss to know why journals, blogs, and institutions claiming to care deeply about the liturgy refuse to address this so-called “tacit” approval. A more accurate description would be “imaginary” approval. 2



NOTES FROM THIS ARTICLE:

1   The GIRM requires that substitute texts must first be approved by the local bishop.

2   The Bishops’ Liturgy Committee has also made additions & modifications to the GIRM. For example, they claim that whenever a bishop approves a song for his diocese, that permission automatically extends to every other diocese in the USA; whereas the GIRM says a bishop’s approval only holds good inside his diocese. If only the FSSP had known how to bend the rules! During the 1990s, our priests visited each bishop, asking permission to start an Apostolate. Imagine if the FSSP had simply said, “The bishop of Kansas City has approved us, so his permission automatically extends to every other diocese in the United States.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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