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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I will fear no evils, for thou art with me.”

Jeff Ostrowski · June 23, 2016

411 custom composing desk HIS MORNING, A MEMORY came to me. It was in 2005, saying farewell to my younger brother. Having risen at 4:00am and packed everything I owned into my car, I was about to embark upon a 1,000 mile drive where a job was waiting for me. Until that moment, it had never occurred to me that I was leaving home forever. I quickly ran upstairs and said farewell to my brother (although he was still half asleep). As I was pulling out of the driveway, it hit me powerfully: I’m leaving my home and family forever.

John A. O’Brien wrote about St. Gabriel Lalemant that “he was grateful to his family, most particularly to his mother, for a childhood of rare happiness and love.” I cannot read those words without calling to mind the childhood my parents gave us. Words cannot describe the happiness and love that was mine. There was suffering, too; but that’s a good thing. I don’t regret a moment of it, because suffering is a necessary part of life. Music was a huge part of my life—and that of my brother, Mark. We spent hours enjoying and playing music: Chopin, Palestrina, Schubert, Mozart, Brahms, and 10,000 others. Whenever I hear certain pieces, my mind is no longer in the year 2016—I’m brought back to the 1990s. Here’s an example, played by a Hofmann pupil:

    * *  Mp3 • Pavane for a Dead Princess

I remember my brother Mark playing that piece. Indeed, I’ll never forget it.

Anyway, I drove off in 2005, and had many adventures. I experienced more in those years than I can describe. I lived in a really bad part of Corpus Christi, suffered abuse at the hands of priests, met some fantastic people, underwent unbelievable escapades, and learned some amazing skills. (I also met the love of my life.) I don’t know how I had energy for it all, but I did.

I ALMOST NEVER LOOK BACK ON MY LIFE. I’m always: “forward, forward, forward.” But maybe I should spend more time looking back, because doing so helps me realize God has always been with me. He has guided me and taken care of me—in ways I cannot fully explain at this moment—and I did not deserve this. Psalm 22 comes to my mind over and over again:

Though I should walk in the midst of the shadow of death,
I will fear no evils, for thou art with me.

Many of you know I’ve been struggling with catastrophic health issues for the last three years. For a time, I felt I might die. Now I seem to be on the road to recovery, but there is still great suffering. Bringing to mind what God has done for me—the marvelous things He has done for me, especially through the gift of my parents—has given me strength to go forward.

St. John Vianney was once overheard speaking directly to the Lord. (Vianney was a mystic frequently in the presence of God, angels, and saints.) Vianney had been suffering for a long time—especially with penances & mortifications for the holy souls in Purgatory—and our Lord asked him if he was ready to come to Heaven. St. Vianney replied: “Oh, Lord, surely it is Heaven enough for me to stay here on earth, saying Mass and suffering for the souls in Purgatory.” If I do ever become healed, I would like to do something really nice in honor of the Jesuit Martyrs of North America. Of course only God knows what the future holds, but doing something like that seems like it would be “heaven on earth” to me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

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  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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