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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South — Part 2

Andrew Leung · June 16, 2016

CTL A Guardian of the Tradition in the South 2 WO WEEKS AGO, I went on a trip to the South. It was a very relaxing and musical trip. And how appropriate is it to celebrate the Feast of the Body of Christ, Bread of Life, during the Memorial Day weekend when we remember those who lost their lives in battle. The Body of Christ is the eternal bread from heaven, the source and summit of our faith.

I spent my Sunday in Chattanooga, TN, and I went to a Novus Ordo Mass at the Basilica of Sts. Peter and Paul for the first time. We celebrated the Solemnity of Corpus Christi (technically not an external solemnity since it was in the new form). I sang with the choir at the Sung Mass and the Eucharistic Procession. It was a very powerful experience and here is why:

—It was a real Sung Mass (Propers and Ordinaries, including the Creed, chanted in English or Latin);

—Everyone sang their parts in the dialogue (the deacon even intoned the Kyrie, which is the proper way to do it in the OF);

—The basilica was filled with large families (at least half of the faithful were children and youth);

—The Anglo and Hispanic communities joint together for the Eucharistic Procession;

—There was a strong presence of the clergy (5 priests and 2 deacons were in the procession, which is very good for a medium sized parish).

I was impressed by these people of the parish, both clergies and laity. They are very passionate in their faith and are willing to be witnesses by marching through downtown Chattanooga in the warm weather.

The part that impressed me the most the presence of the clergy. I see the clergy of the parish interact with people a lot when I visit this parish every time. They all wore their cassocks which help parishioners to recognize them, even from a far distance. I never understand why some people are always against the idea of priests wearing cassocks! Wearing cassocks is not a form of clericalism! The cassock shows the identity of a priest, who is ordained by the bishop to minister to the Church. They are the “fathers” of the community and the cassocks show their role. One of the things I learned during my pastoral year is that the presence of the clergy and staff members at parish events is very important! The cassocks are tools that help bring people to the priests.

CTL Poster SSMW 2016 USICIANS in the Southeastern region will have the opportunity to attend a one-and-a-half day Summer Sacred Music Workshop at this wonderful parish. The workshop will be held at the basilica on July 22 and 23. Now is the time to REGISTER for the workshop and spread the news to your pastors, parish musicians and any friends you may have in the area. Participants don’t have to be Catholics and there is no limit on their age (last year, we had a few middle schoolers joining our workshop and they enjoyed it a lot). So, download the picture of the flyer on the left and SPREAD THE NEWS NOW! The more participants we get, the better the experience will be! We hope to see you there!

For those of you who cannot make it to this workshop, I would ask you to keep all the faculty members and participants in your prayers. Please pray that our workshop will have a good and successful turnout, for the final preparation that is going on now, and that God will touch the hearts of everyone participating through the beautiful music. Thank you.

A preliminary schedule with the session descriptions is available for viewing now.

    * *  PDF • PRELIMINARY SCHEDULE AND SESSION DESCRIPTIONS

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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