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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South — Part 2

Andrew Leung · June 16, 2016

CTL A Guardian of the Tradition in the South 2 WO WEEKS AGO, I went on a trip to the South. It was a very relaxing and musical trip. And how appropriate is it to celebrate the Feast of the Body of Christ, Bread of Life, during the Memorial Day weekend when we remember those who lost their lives in battle. The Body of Christ is the eternal bread from heaven, the source and summit of our faith.

I spent my Sunday in Chattanooga, TN, and I went to a Novus Ordo Mass at the Basilica of Sts. Peter and Paul for the first time. We celebrated the Solemnity of Corpus Christi (technically not an external solemnity since it was in the new form). I sang with the choir at the Sung Mass and the Eucharistic Procession. It was a very powerful experience and here is why:

—It was a real Sung Mass (Propers and Ordinaries, including the Creed, chanted in English or Latin);

—Everyone sang their parts in the dialogue (the deacon even intoned the Kyrie, which is the proper way to do it in the OF);

—The basilica was filled with large families (at least half of the faithful were children and youth);

—The Anglo and Hispanic communities joint together for the Eucharistic Procession;

—There was a strong presence of the clergy (5 priests and 2 deacons were in the procession, which is very good for a medium sized parish).

I was impressed by these people of the parish, both clergies and laity. They are very passionate in their faith and are willing to be witnesses by marching through downtown Chattanooga in the warm weather.

The part that impressed me the most the presence of the clergy. I see the clergy of the parish interact with people a lot when I visit this parish every time. They all wore their cassocks which help parishioners to recognize them, even from a far distance. I never understand why some people are always against the idea of priests wearing cassocks! Wearing cassocks is not a form of clericalism! The cassock shows the identity of a priest, who is ordained by the bishop to minister to the Church. They are the “fathers” of the community and the cassocks show their role. One of the things I learned during my pastoral year is that the presence of the clergy and staff members at parish events is very important! The cassocks are tools that help bring people to the priests.

CTL Poster SSMW 2016 USICIANS in the Southeastern region will have the opportunity to attend a one-and-a-half day Summer Sacred Music Workshop at this wonderful parish. The workshop will be held at the basilica on July 22 and 23. Now is the time to REGISTER for the workshop and spread the news to your pastors, parish musicians and any friends you may have in the area. Participants don’t have to be Catholics and there is no limit on their age (last year, we had a few middle schoolers joining our workshop and they enjoyed it a lot). So, download the picture of the flyer on the left and SPREAD THE NEWS NOW! The more participants we get, the better the experience will be! We hope to see you there!

For those of you who cannot make it to this workshop, I would ask you to keep all the faculty members and participants in your prayers. Please pray that our workshop will have a good and successful turnout, for the final preparation that is going on now, and that God will touch the hearts of everyone participating through the beautiful music. Thank you.

A preliminary schedule with the session descriptions is available for viewing now.

    * *  PDF • PRELIMINARY SCHEDULE AND SESSION DESCRIPTIONS

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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