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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Make a Digital Piano Sound Like an Organ

Veronica Brandt · January 30, 2016

Kawai CA97 HERE ARE MANY REASONS WHY a parish might choose to buy a digital piano in favour of an organ. The instruments are much more widely available, pianists much more plentiful than organists. The machines themselves are generally simpler with only one keyboard and without all those fiddly stops all over the place.

They may not be my favourite reasons, but for whatever reason you may find yourself in the situation of trying to make a digital piano sound like an organ.

Many digital pianos come with an “organ” setting – even a “church organ” sound, but I don’t know who chooses these sounds. The few I have heard are quite brash. For accompanying singing, especially chant, you probably want something a bit more mellow. Our parish piano (a Kawai CA97) has a sound called “chiffy tibias” which is passable.

The really frustrating thing is the touch sensitivity, which is nothing like an organ. The volume of each note depends on how hard it is struck and there is no expression or swell pedal to soften the blow. If you accidentally play an extra verse there is no easy way to smoothly reduce the volume and finish quietly without removing a hand from the keyboard to adjust a very sensitive volume knob.

However, you can by-pass the piano’s piano-ness and use software like Hauptwerk or Grand Orgue to bring a much more believable organ sound into your choir loft.

You will need :

  • a midi controller 49-61 keys with usb interface
  • an expression pedal to suit the midi controller
  • a music stand
  • a laptop with Hauptwerk or Grand Orgue installed
  • a 3.5mm Stereo Audio Cable, Male to Male

organ setup
Fold down the piano’s music stand and rest the midi controller on top.

Place the laptop on the piano bench and plug the headphone socket to the piano’s line-in socket. Plug the midi controller into the laptop via the usb cable.

Plug the expression pedal into the midi controller and arrange for easy access.

Fire up your laptop and adjust the software and various volume controls to a good level.

Enjoy your organ!

Note, this pretty much reduces the use of the digital piano down to a pair of speakers. You could have this sort of set up with an amplifier – rather like an electric guitarist would.

Next time you see someone lugging various gig bags into a church, perhaps this is another organ enthusiast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: October 29, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

When the matter is thus regarded, an assertion which is being made today, not only by laymen but also at times by certain theologians and priests and spread about by them, ought to be rejected as an erroneous opinion: namely, that the offering of one Mass, at which a hundred priests assist with religious devotion, is the same as a hundred Masses celebrated by a hundred priests. That is not true.

— Pope Pius XII (2 November 1954)

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