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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not Your Grandmother’s Creed

Jeff Ostrowski · January 26, 2016

HE FIRST TIME I HEARD the name “David Haas” was on a CMAA website a few years ago. He was posting there, but when people started asking him questions he left—and never returned. (At least that’s my recollection.) It turns out David Haas is an extremely popular composer for the Ordinary Form. 1 I’ve never forgotten his last name because of its memorable spelling. A Facebook Creed by David Haas was sent to me this morning. Much could be said about his edict, but I don’t have time for a long post today. 2

Many have expressed deep concern over the lyrics in popular Catholic hymnals—and this “Creed” illustrates the validity of such concerns. Consider a few excerpts:

“Ministry Creed” by David Haas (Excerpts)
Copyright © 2015 by David Haas

Ministry is not about whether one believes in God
—it’s about following the Christ.

Ministry is not about getting into heaven
—it’s about the promise of a paradise.

Ministry is not about striving to be holy
—it’s about recognizing that without God we can do nothing.

Ministry is not about convincing others about a truth
—it’s about allowing discovery to be nurtured.

Ministry is not about promoting doctrine
—it’s about announcing Jesus.

Ministry is not about providing a map for eternal life
—it’s about nurturing life right now, to the full.

Ministry is not about providing solutions
—it’s about facing the quandaries.

Ministry is not about providing clarity
—it’s about celebrating ambiguity.

Ministry is not about reading scripture
—it’s about becoming the living Word.

Ministry is not about providing answers
—it’s about provoking more and more fresh questions.

819 David Haas It’s difficult to understand why Mr. Haas feels the need to condemn the beliefs of others. Many of us believe that ministry is about trying to help people attain Heaven; many of us believe part of ministry is providing answers & solutions; and so forth. Moreover, this “Creed” by David Haas contradicts in a powerful way the example of ministry given to us by Jesus Christ.

That is why I hope Mr. Haas will consider getting rid of his “Creed” and instead focus on positive things, like promoting authentic sacred music by great composers.

 


NOTES FROM THIS ARTICLE:

1   Growing up in the 1990s, my (Ordinary Form) parish used the GLORY & PRAISE HYMNAL. I suspect David Haas came to prominence after this book was published, which explains why I don’t know his songs. The ones I knew as a child were: Abba Father; Be Not Afraid; Yahweh I Know You Are Near; Sing A Simple Song Unto The Lord; You Who Dwell In The Shelter Of The Lord; This Little Light Of Mine; Though The Mountains May Fall; and so forth. As far as I know, none of those are by David Haas.

2   For example, haeresim sapiens comes to mind when I read statements like “ministry is not about believing in God.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: David Haas Composer GIA Last Updated: April 17, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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