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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Funeral Mass • Justice Antonin Scalia

Jeff Ostrowski · February 20, 2016

736 Fr Paul Scalia HE FUNERAL for Justice Antonin Scalia took place on 20 February 2016 in the Basilica of the Immaculate Conception. The Mass was said—and homily delivered—by Fr. Paul Scalia. One of the readings was by Justice Clarence Thomas, who attended two Catholic seminaries in his youth. For the record, I had tremendous admiration for Scalia and listened to his presentations over and over—to the point that I felt I knew him. He will be missed.

Fr. Paul Scalia, who resembles his father, did a beautiful job singing the Mass, and the entire Mass was certainly dignified. Some of the musical selections were quite beautiful. The Responsorial Psalm by Richard Rice actually came from the Chabanel Psalm website. Other choices struck me as a bit uninspired.

It’s difficult to understand why the Mass was Ordinary Form since Justice Scalia was known to attend the Extraordinary Form exclusively. Moreover, while the musical selections were (generally speaking) fine, they were nothing compared to Requiem settings by Victoria, Guerrero, Morales, and so forth. 1 Perhaps the problem is me; I find the traditional Requiem so powerful & consoling, nothing else comes close.

You can view the full video of the Funeral Mass:

    * *  VIDEO • Funeral Mass for Justice Antonin Scalia

You can download the entire Funeral Program:

    * *  PDF Download • PROGRAM (Justice Scalia’s Funeral)

738 Justice Scalia Funeral Mass


Random Observations :

— White vestments. (Allowed for the Ordinary Form)

— The Basilica is filled with people, all the way back to the doors.

— Mass is offered facing the people, although the current edition of the Roman Missal (Ordinary Form) seems to indicate otherwise.

Here’s a summary, provided by the CMAA forum:

The Knell is tolled.

Organ music.

A men’s schola chants the Introit “Requiem aeternam” according to the Graduale Romanum.

Organ music.

Hymn “O God Our Help in Ages Past.”

Welcoming Remarks by Donald Cardinal Wuerl.

Collect is sung by Father Scalia.

1st reading: Wisdom, read by Leonard Leo (a friend of Justice Scalia).

Psalm 23:1-6: sung by the National Shrine choir.

2nd reading: Romans 5 — read by Justice Clarence Thomas.

Verse: sung by the National Shrine choir.

Gospel: Deacon Colin Davis (a seminarian for the diocese of Arlington).

Homily: Fr. Scalia.

Offertory motet: Beati quorum via (Stanford).

Preface dialogue: chanted.

Sanctus: XVIII (chanted, with organ).

The Roman Canon (EP I).

Memorial Acclamation: When… (chanted, with organ).

Amen (chanted, with organ).

Our Father (chanted sonorously by all present).

Peace Dialogue (chanted).

Sign of Peace (omitted).

Agnus Dei — Victoria, Missa Quarti Toni (National Shrine choir).

A treble schola chants the Communion verse “Lux Aeterna” according to the Graduale Romanum

Communion Hymn: Jesus, My Lord, My God, My All (Faber)

Communion motets: Franck’s Panis Angelicus and Mozart’s Ave Verum.

Post-communion dialogue: chanted.

In Paradisum: English, sung by the National Shrine choir.

Recessional: O God Beyond All Praising (Holst).

The casket is asperged by Cardinal Wuerl, Archbishop Vigano, Bishop Loverde and Bishop Higgins, and draped in the American flag and—as the knell tolls again—is carried out of the basilica, past a long line of concelebrating priests chanting the Salve Regina. The casket is saluted by Supreme Court Police and placed in the hearse.



NOTES FROM THIS ARTICLE:

1   I’m not trying to be a curmudgeon. I’m simply pointing out that there’s no comparison between truly great settings of the “Missa Pro Defunctis” and several of the utilitarian musical choices for this Funeral. Singing Victoria’s Requiem, for example, would seem the least that should have been done to honor Justice Scalia. Obviously, this is just my opinion, and I could be wrong. I’m not infallible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

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