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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Funeral Mass • Justice Antonin Scalia

Jeff Ostrowski · February 20, 2016

736 Fr Paul Scalia HE FUNERAL for Justice Antonin Scalia took place on 20 February 2016 in the Basilica of the Immaculate Conception. The Mass was said—and homily delivered—by Fr. Paul Scalia. One of the readings was by Justice Clarence Thomas, who attended two Catholic seminaries in his youth. For the record, I had tremendous admiration for Scalia and listened to his presentations over and over—to the point that I felt I knew him. He will be missed.

Fr. Paul Scalia, who resembles his father, did a beautiful job singing the Mass, and the entire Mass was certainly dignified. Some of the musical selections were quite beautiful. The Responsorial Psalm by Richard Rice actually came from the Chabanel Psalm website. Other choices struck me as a bit uninspired.

It’s difficult to understand why the Mass was Ordinary Form since Justice Scalia was known to attend the Extraordinary Form exclusively. Moreover, while the musical selections were (generally speaking) fine, they were nothing compared to Requiem settings by Victoria, Guerrero, Morales, and so forth. 1 Perhaps the problem is me; I find the traditional Requiem so powerful & consoling, nothing else comes close.

You can view the full video of the Funeral Mass:

    * *  VIDEO • Funeral Mass for Justice Antonin Scalia

You can download the entire Funeral Program:

    * *  PDF Download • PROGRAM (Justice Scalia’s Funeral)

738 Justice Scalia Funeral Mass


Random Observations :

— White vestments. (Allowed for the Ordinary Form)

— The Basilica is filled with people, all the way back to the doors.

— Mass is offered facing the people, although the current edition of the Roman Missal (Ordinary Form) seems to indicate otherwise.

Here’s a summary, provided by the CMAA forum:

The Knell is tolled.

Organ music.

A men’s schola chants the Introit “Requiem aeternam” according to the Graduale Romanum.

Organ music.

Hymn “O God Our Help in Ages Past.”

Welcoming Remarks by Donald Cardinal Wuerl.

Collect is sung by Father Scalia.

1st reading: Wisdom, read by Leonard Leo (a friend of Justice Scalia).

Psalm 23:1-6: sung by the National Shrine choir.

2nd reading: Romans 5 — read by Justice Clarence Thomas.

Verse: sung by the National Shrine choir.

Gospel: Deacon Colin Davis (a seminarian for the diocese of Arlington).

Homily: Fr. Scalia.

Offertory motet: Beati quorum via (Stanford).

Preface dialogue: chanted.

Sanctus: XVIII (chanted, with organ).

The Roman Canon (EP I).

Memorial Acclamation: When… (chanted, with organ).

Amen (chanted, with organ).

Our Father (chanted sonorously by all present).

Peace Dialogue (chanted).

Sign of Peace (omitted).

Agnus Dei — Victoria, Missa Quarti Toni (National Shrine choir).

A treble schola chants the Communion verse “Lux Aeterna” according to the Graduale Romanum

Communion Hymn: Jesus, My Lord, My God, My All (Faber)

Communion motets: Franck’s Panis Angelicus and Mozart’s Ave Verum.

Post-communion dialogue: chanted.

In Paradisum: English, sung by the National Shrine choir.

Recessional: O God Beyond All Praising (Holst).

The casket is asperged by Cardinal Wuerl, Archbishop Vigano, Bishop Loverde and Bishop Higgins, and draped in the American flag and—as the knell tolls again—is carried out of the basilica, past a long line of concelebrating priests chanting the Salve Regina. The casket is saluted by Supreme Court Police and placed in the hearse.



NOTES FROM THIS ARTICLE:

1   I’m not trying to be a curmudgeon. I’m simply pointing out that there’s no comparison between truly great settings of the “Missa Pro Defunctis” and several of the utilitarian musical choices for this Funeral. Singing Victoria’s Requiem, for example, would seem the least that should have been done to honor Justice Scalia. Obviously, this is just my opinion, and I could be wrong. I’m not infallible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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