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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Opening Our Hearts At Christmas

Guest Author · December 22, 2016

538 Scrooge N THE 2003 Christmas comedy Elf, Will Ferrell’s character—Buddy the Elf—has a favorite saying: “The best way to spread Christmas cheer is singing loud for all to hear.” At one point in the film, when Buddy first meets Jovie at Macy’s, she scoffs at this saying. He responds innocently, “If you sing alone, you can sing in front of people; it’s no different!” then begins to sing off-key in full voice. The grumpy floor manager pops out from behind a shelf and yells, “Hey! There’s no singing on the north pole!”

In the first chapter of Charles Dickens’ A Christmas Carol, Ebenezer Scrooge is sitting in his office when a boy stops outside his door to sing a Christmas carol:

“…but at the first sound of God bless you, merry gentleman! May nothing you dismay! Scrooge seized the ruler with such energy of action that the singer fled in terror.”

…so offended is Scrooge by the joviality of the boy, and so threatened by the song’s expression of goodwill. Later on, upon meeting the Ghost of Christmas Past, Scrooge is blinded by the great light emitting from the head of the spirit, symbolizing Truth (among other things). Scrooge asks the Ghost to wear its cap so as to shield him from this light; the Ghost responds, “Would you so soon put out, with worldly hands, the light I give?” As the Ghost takes Scrooge through his past, we see the first glimpse of his eventual transformation when he views himself as a young boy. Seeing his young self, he is reminded of the singer from the night before. Scrooge remarks:

“Poor boy…I wish…but it’s too late now… There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that’s all.”

In his book Reflections on the Spirituality of Gregorian Chant, Dom Jacques Hourlier pours forth great wisdom regarding the power of music to affect us deeply. (Though Dom Hourlier speaks specifically about chant, much of what he has to say can be said, I believe, about all great sacred music.) Through sacred music, Dom Hourlier writes, one comes to “apprehend the fullness of language that merely spoken words can never adequately express.” Music educates us to a deeper meaning of the words; the marriage of music and words “transports (us) a thousand leagues beyond the dictionary.” Dom Hourlier goes on to say that the “richness and beauty (of music) give rise to prayer.” The synthesis of these two qualities—education and prayer—is that sacred music sanctifies those who listen and sing. In a very real way, it makes us more holy. Sacred music brings us together, in Dom Hourlier’s words, “from the horizontal point of view, since it unites people in its beauty, and from the vertical, because it leads us all to God.”

Most Catholics are readily familiar with Psalm 95, “If today you hear his voice, harden not your hearts…” Consider this Psalm and the two misers. There is no question that the store manager and Scrooge have hardened hearts. By shunning the music of Christmas, they are extinguishing the light that is the very essence of these songs and of singing, and all they have to offer mankind. (Scrooge, in fact, quite literally extinguishes the light of the Ghost of Christmas Past, by forcing him under his cap.) Thus, they are blotting out the voice of God, who speaks to us through all good things, who is “full of grace and truth.” We praise God and give thanks through singing the sacred music of Christmas; we offer the gift of music back to him. Yet, we can never understate the fact that we receive something through the experience of singing as well. Music plays a vital role in the drama of the liturgical year; when we live the liturgical year to its very fullest, it has the power to change our lives. Christmas without music would be incomplete. The music of Christmas forms us and aligns us to its joyful spirit of love and charity. At this time of year, all of us should bear in mind the potential for music to affect us deeply, and so let us finish the boy caroler’s song through music and in our lives:

“Now to the Lord sing praises,
All you within this place
Like we true loving brethren,
Each other to embrace,
For the merry time of Christmas
Is coming on a-pace.
O tidings of comfort and joy.”


We hope you enjoyed this guest article by Cody Willmot Mead.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“A penalty is decreed against clerics, who, being in sacred Orders, or holding benefices, do not wear a dress befitting their Order. […] In these days, the contempt of religion has grown to such a pitch that—making but little account of their own dignity, and of the clerical honor—some even wear in public the dress of laymen…”

— ‘Council of Trent (Session 14, Chapter 6)’

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