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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I Claim You for Christ

Richard J. Clark · April 8, 2016

HE SACRAMENT of baptism is rich in theology and deep meaning for our everyday lives, no less eternal life. It is also widely misunderstood—not that I will pretend to understand everything about it. One can witness or read the Rite of Baptism over and over and garner greater meaning with each experience. You can read the Rite of Baptism with the various forms here. This includes text in English and Latin.

DOWNLOAD a very simple Baptism Acclamation SATB or UNISON:

    * *  PDF • You Have Put on Christ (SATB) with congr. insert

During the Easer Vigil, many of us may have witnessed the baptism of adults. I always emphasize to the choir the vast importance of their work for the Elect. Not only do they appreciate the music enormously, the music is very much part of their formation. Why? The music is wedded to the liturgy and hence the sacraments they have prepared for months to receive. The impact of reverent and beautiful liturgy upon the newly baptized is immeasurable.

It is very emotional to witness adults baptized, confirmed, and entering into the Church. They have made a conscious choice to make a radical change in their lives. This kind of action strengthens the entire faith community and challenges all of us to experience metanoia in our lives.

This deliberate choice of an adult is obvious and easy to grasp. It is an occasion for great joy. For infants, there is something different, but equally extraordinary at work. It is the conscious choice of the entire Christian Community, and it is found in the Rite of Baptism.

NE OF THE MOST EMOTIONAL experiences of my life was during the baptism of my second child. The words hit me like a ton of bricks. I knew they were coming, but time froze, and I was bowled over in my heart: “I claim you for Christ….”

Here is the text from the Reception of the Child:

79. N., the Christian community welcomes you with great joy. In its name I claim you for Christ our Savior by the sign of his cross. I now trace the cross on your forehead, and invite your parents (and godparents) to do the same.

The conscious choice begins with the parents, but this choice is made manifest and is strengthened by the entire faith community. The priest, acting In persona Christi, is not alone claiming the child for Christ. Nor is the decision to do so merely the priest’s. It is in fact the entire Christian Community that claims the child as ministers of that child’s faith. (This is in part why parish communities are so important in our daily lives.) From the introduction to Baptism for Children:

4. “…it is clear that the faith in which the children are baptized is not the private profession of the individual family, but the common treasure of the whole Church of Christ.

It is nothing short of a fiercely passionate loving act to have one’s child clothed in Christ—to raise one’s child in the faith. And it isn’t easy. As a parent (and as a prolific sinner), I don’t know precisely how to do all the right things for my children. But my desire my for my children is for them to experience the love my wife and I have for our faith. As adults, I pray (as fervently as St. Monica) that they will continue their loving relationship with God through a life of faith and service in the Church.

IGHT NOW IT IS MY WIFE’S and my responsibility to nurture and develop that faith in our children. This formation begins with baptism: “The foundation of formation is the sacrament itself…” (Baptism for Children, Introduction §3)

In my own experience, while I had a very “strict” religious upbringing, it was the enthusiastic love for the Catholic faith my parents radiated that took deep root within my heart—roots that have stayed with me and my sisters throughout our lives. My wife has a similar story. There is no question we want to pass along the greatest jewel we have to offer our children: a loving relationship with God rooted in the faith of the Church. As parents, we could not possibly consider doing otherwise.

My wife and I are currently anticipating the birth of our fourth child. The sonogram above is that of our child. Did we make the decision to claim our child for Christ long before this image was taken?

You better believe it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: baptism, RCIA Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Eucharistic Prayer II, on account of its particular features, is more appropriately used on weekdays or in special circumstances.”

— §365 from the “General Instruction for the Roman Missal”

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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