About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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"And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer."
— Council of Trent (1562)

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“Catholic Choirmaster” • Fascinating Photo Taken 29 August 1964
published 19 April 2016 by Jeff Ostrowski

EARS AGO, I used to xerox copy tons of articles about musicians, conductors, pianists, sacred music, and so forth. This morning I found—stuffed into a box in my garage—an interesting page from “Catholic Choirmaster,” containing a photograph taken on 29 August 1964 at Boys Town. I believe this is when “Saint Gregory Society” merged with “Saint Cecilia Society” to form the “Church Music Association of America.” This xerox page is what I undoubtedly used to create this article.

547 Boys Town 1964 CMAA Meeting


Several in that photo are still fighting hard to promote good church music! Conspicuously absent was Roger Wager, who was probably touring. More information about Boys Town can be gleaned from these.

UPDATE :

From a reader:

You printed a picture of the original organizers of CMAA in today’s blog, and speculated that Roger Wagner might have been “on tour.” So happens that I was present for the Boys’ Town Music Workshop that preceded that organizational meeting. That year, Roger Wagner was present and—in a little less than one week of rehearsals—taught the assembled choir directors/organists/singers the entire Britten “War Requiem” and we then gave a concert performance of it with the Omaha Symphony Orchestra. Side-note: Roger brought along his own soprano soloist for the piece, Carol Neblett. Small-world!! The next time I sang the piece, Carol Neblett was the soloist. That was under the baton of Ken Schermerhorn, her husband at the time, with the Milwaukee Symphony Orchestra. I can no longer recall the scheduling, but vaguely remember that the organizational meeting was held following the workshop, so Roger (and Paul Salamunovich, and Carol) may well have left for a tour- or recording-date. Keep up the great work!!